1st Edition

Audience as Performer The changing role of theatre audiences in the twenty-first century

By Caroline Heim Copyright 2016
200 Pages
by Routledge

200 Pages
by Routledge

200 Pages
by Routledge

'Actors always talk about what the audience does. I don’t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre... Read more

Contents

Acknowledgements

Introduction

PART I: AUDIENCE PERFORMANCE

CHAPTER ONE Audience as Performer

CHAPTER TWO Stage Etiquette (1800-1880)

CHAPTER THREE Theatre Etiquette (1880-2000)

PART II: CONTEMPORARY AUDIENCE PERFORMANCE

Introduction to Part II

CHAPTER FOUR Audience as Critic

CHAPTER FIVE Audience as Community

CHAPTER SIX Audience as Consumer

CHAPTER SEVEN Audience as Co-creator

Conclusion New Possibilities

List of Contributors

Appendix 1

Appendix 2

Index

Biography

Caroline Heim is Lecturer in Drama at Queensland University of Technology. Previous to entering academia she worked as a professional actor on New York and other US stages winning a Drama League Award.

"Heim's succinct, accessible volume serves as an important contribution to the ever-growing scholarly field investigating audiences in relation to theatrical performance. Highly Recommended."

- Choice Magazine

"An invaluable text for classes and scholars in theatre history, criticism, and practice."

- Theatre Topics

"Takes the research and understanding of the active role/s of audiences and the people in them to a new level of understanding and recognition."

- Australasian Drama Studies