1. What is mastering... really? 2. Enabling analysis 3. The monitor path 4. Looking to the mix 5. Analysis: Constructive, comparative and corrective 6. Mastering tools 7. Equalisation and tonal balance 8. Dynamic processors and tonal balance 9. Contextual processing analysis 10. The transfer path 11. Practical approach to dynamic controls 12. Practical approach to dynamic processing 13. Practical approach to equalisation 14. Navigating loudness 15. Bring it all together: Engaging in mastering 16. Restrictions of delivery formats 17. What’s next?
Biography
JP Braddock is a highly experienced audio engineer focused in both analogue and digital domain mastering. With over thirty years of experience in the music industry, he has delivered hundreds of albums over the last three decades, spanning a wide range of genres, including dance/electronic, folk, jazz and rock/metal. Through Formation Audio (https://mastering.ninja/), JP works as a mastering engineer, writer and educator delivering workshops for higher educational institutions across the UK.
