1st Edition

Authority in Crisis in French Literature, 1850–1880

By Seth Whidden Copyright 2014

    By the 1850s, the expansion of printing and distribution technologies provided writers with more readers and literary outlets than ever before, while the ever-changing political contexts occasioned by the revolutions of 1830 and 1848 brought about differing degrees of political, social, and literary censure and pressure. Seth Whidden examines crises of literary authority in nineteenth-century French literature, both in response to the attempts of the Second Empire (1852-1870) to restore the unquestioned imperial authority that had been established by Napoleon I and in the aftermath of the bloody Paris Commune of 1871. In each of his chapters, Whidden offers a representative case study highlighting one of several phenomena-literary collaboration, parody, destabilized poetic form, the substitution of one poetic or narrative voice with that of the man-that enabled challenges to the traditional status of the writer and, by extension, the political authority that it reflected. Whidden focuses on the play Le Supplice d’une femme (1865); the Cercle Zutiste, a group of writers, musicians, and artists who met regularly in the fall of 1871, only months after the fall of the Second Empire; Arthur Rimbaud’s Commune-era poems; and Jules Verne’s 1851 ’Un voyage en ballon,’ later reprinted as ’Un drame dans les airs’ in 1874. Whidden concludes with a futuristic look at authority and auctority as it pertains to midcentury writers taking stock of the weakened authority still possible in a post-Second Empire France and envisioning what kind of auctority is still to come.

    Introduction: Second Empire, Empire of “zut”; Chapter 1 Authority Dispersed in Collaboration; Chapter 2 Authority under Siege When Parody Meets Poetry; Chapter 3 Rimbaud Drowning Verse in a Sea of Multiplicity; Chapter 4 At 7,000 Meters without a Net: The Vertigo of Jules Verne’s Narrative Authority; conclusion Conclusion;

    Biography

    Seth Whidden is Associate Professor of French at Villanova University, USA, an affiliated member of the LIRE research group of the CNRS (UMR 5611), and editor of Nineteenth-Century French Studies. His previous publications include Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud (2007) and the edited volumes La poésie jubilatoire: Rimbaud, Verlaine et l'Album zutique (2010) and Models of Collaboration in Nineteenth-Century French Literature: Several Authors, One Pen (2009).

    'Intelligent and well-argued, Seth Whidden’s book deftly combines literary, political, and historical considerations to examine literary authority in nineteenth-century France.' Joseph Acquisto, University of Vermont, USA ’Recommended. Upper-division undergraduates through faculty.’ Choice 'Whidden ties together his precise and intricate analyses of different texts by exploring common themes of collaboration, parody, and challenging the established order, both politic and poetic. ... this book will appeal to a variety of readers, interested in the ways in which writers challenged authority during and after France’s Second Empire.' 19th Century French Studies