1st Edition
Authorship and Identity in Late Thirteenth-Century Motets
By Catherine A. Bradley
Copyright 2022
154 Pages
16 B/W Illustrations
by
Routledge
154 Pages
16 B/W Illustrations
by
Routledge
Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo ). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open... Read more
A Note on Transcriptions
Contents of Montpellier Codex Fascicle 7
Introduction
1 Adam de la Halle’s Presence in the Final Fascicles of the Montpellier Codex
2 Adam and Petrus de Cruce: The ‘Aucun…’ Opening and Questions of Chronology
3 People and Places: Adam and an ‘Entre…’ Motet Tradition
4 Petrus in the Montpellier Codex
5 Non-Plainchant Tenor Quotations: Unwritten Songs and Questions of Compositional Ownership
Conclusions
Bibliography
Biography
Catherine A. Bradley is Professor at the University of Oslo.
