1st Edition

Bakhtin and the Music of Dmitri Shostakovich Analysis as Dialogue

By Miriam Webber Copyright 2027
188 Pages 61 B/W Illustrations
by Routledge

The present study examines various ways in which Bakhtin’s literary thought might be applied to Shostakovich’s music, addressing a range of established music-theoretical methodologies located within the broader context of Bakhtinian narrative theory. The analytical approach is consequently multifaceted and engages multiple musical parameters, including pitch organization, rhythm, form,... Read more

Foreword by Alan Street, Acknowledgement and Permissions, Note on Transliteration, Introduction, Chapter 1: “Reflection of a Reflection”: First-Order Musical Discourse and Bakhtinian Dialogism, Chapter 2: Symphonizing the Word: Four Case Studies, Chapter 3: Re-Accentuating the Word: Translating Literature into Opera, Chapter 4: Finalizing “Nothing”: Thematizing Mortality in Symphony no. 14, Chapter 5: Chaos and Acceptance: Plot in Symphony no. 9, Conclusion: Hedgehogs and Foxes

Biography

Miriam Brack Webber holds a PhD from the University of Kansas. She currently serves as Associate Professor of Music and Director of the Honors Program at Bemidji State University. Her research investigates narrative processes within Shostakovich’s works as these processes relate to Soviet literary theory. Other research interests include emotion, pedagogy, and performance studies