Baroque Self-Invention and Historical Truth: Hercules at the Crossroads, 1st Edition (Paperback) book cover

Baroque Self-Invention and Historical Truth

Hercules at the Crossroads, 1st Edition

By Christopher Braider


216 pages

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New in Paperback: 9781138378841
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In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.


'… a monument and a legacy to Baroque studies that works through an impressive body of material to reach broad and timely conclusions.' Tom Conley, Professor of Romance Languages and Literatures, Harvard University

Table of Contents

Contents: Introduction: Baroque self-invention and historical truth in art; The vindication of Susanna: femininity and truth in Baroque science and art; The fountain of Narcissus: the ontology of St Paul in Caravaggio and Rembrandt; Hercules at the crossroads: image and soliloquy in Annibale Carracci; Imaginary selves: the trial of identity in Descartes, Pascal and Cyrano; Bibliography; Index.

About the Author

Christopher Braider is Professor of French and Comparative Literature at the University of Colorado, Boulder. He is the author of Refiguring the Real: Picture and Modernity in Word and Image, 1400-1700 (1993) and Indiscernible Counterparts: The Invention of the Text in French Classical Drama (2002).

About the Series

Studies in European Cultural Transition

Studies in European Cultural Transition
The European dimension of research in the humanities has come into sharp focus over recent years, producing scholarship which ranges across disciplines and national boundaries. Until now there has been no major channel for such work. This series aims to provide one, and to unite the fields of cultural studies and traditional scholarship. It will publish the most exciting new writing in areas such as European history and literature, art history, archaeology, language and translation studies, political, cultural and gay studies, music, psychology, sociology and philosophy. The emphasis will be explicitly European and interdisciplinary, concentrating attention on the relativity of cultural perspectives, with a particular interest in issues of cultural transition.

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Subject Categories

BISAC Subject Codes/Headings:
LITERARY CRITICISM / Comparative Literature