226 pages | 21 B/W Illus.
Concentrating primarily on contemporary depictions of Batman in the comic books, this book analyzes why Batman is so immensely popular right now in America and globally, and how the fictional Dark Knight reveals both new cultural concerns and longstanding beliefs about American values. The organizing premise is that while Batman is perceived as a very clearly defined character, he is open to a wide range of interpretations and depictions in the comics (what Henry Jenkins refers to as "multiplicities"), each of which allows access to different cultural issues. The idea of Batman functions as an anchoring point out of which multiple Batmen, or Batman-like characters, can occupy different positions: Grim Batman, Gay Batman, Female Batman, Black Batman, Cute Batman, and so on. Each iteration opens up a discussion of different cultural issues pertinent to modern society, such as sexuality, ethnicity, feminism and familial relationships.
1. Introduction: "Always Be Batman"
2. Batman and Multiplicity: Stability and Variation
3. Batman and Sexuality: Secret Identities, Lust and Romance
4. Batman and Sons: Family and Patriarchal Authority
5. The Bat-Women: Caped Crusaders and Costumed Feminism
6. The Other Batmen: Whiteness, Appropriation and Colonization
7. Batman and Villainy: The Dark Side of the Dark Knight
8. "I’m the Goshdarn Batman!" Affect and the Aesthetics of Cute Batman
Routledge Advances in Comics Studies promotes outstanding research on comics and graphic novels from communication theory, rhetorical theory and media studies perspectives. Additionally, the series aims to bring European, Asian, African, and Latin American comics scholarship to the English speaking world. The series includes monographs and themed anthologies. Comics Studies is a recently established and rapidly evolving field with much exciting research still to be done, and Routledge Advances in Comics Studies is dedicated to furthering the understanding of comics as an art form and a medium of communication.