1st Edition

Beyond Brutalism and the Postwar Architecture-Sculpture Network Redefining Media and Global Public Space

By Angelique Campens Copyright 2026
214 Pages 69 B/W Illustrations
by Routledge

214 Pages 69 B/W Illustrations
by Routledge

This study focuses on the moment in the history of modern art, during the 1950s, when sculptors and architects began to use concrete to create a previously impossible fusion of their respective art forms and the mutual influences between sculpture and architecture. The book pays particular attention to those works that left the concrete "brut"—that is, "raw" or unfinished—and thus produced a... Read more

Introduction  Part 1: The (postwar) historical context of the Architecture-Sculpture Network and Béton Brut  1. SYNTHESIS: Forging the Architecture-Sculpture Network: Synthèse des Arts and André Bloc’s Legacy  2. TEXTURE: Exploring concrete in the Architecture -Sculpture network: Brutalism vs Béton brut  PART 2: Sculpting the Urban Landscape: The Rise of Concrete Sculptures in Public Spaces  3. COLLABORATION: Picasso’s Encounter with Concrete: Carl Nesjar and Betograve  4 MOVEMENT: Concrete Landmarks: The International Sculpture Symposium and Highway Sculptures Part 3: Sculpture in Architecture and the Built Environment: Living and Exhibiting in Béton Brut  5. DWELLING: The Sculptural House  6. DOMESTICITY: Living in a Béton Brut Sculpture  7. DISPLAY: A Sculptural Environment for Art  Epilogue: Concrete Synthesis, Then and Now

Biography

Angelique Campens is an independent art historian, writer, educator, and curator, teaching at KASK & Conservatorium/School of Arts Ghent, Belgium.