Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews.
Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop."
This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.
List of Figures
Introduction Erika Gault and Travis Harris
1 A History of Christians and Hip Hop
Section I: Identifying Hip Hop
2 Blendzville Global: A Conversation with Andrea "M$. Blendz" Castleberry
3 If My Faith Had a YouTube: Digitizing Christianity and Hip Hop, an Interview with Beleaf Melanin
Section II: Irreconcilable Christianity
4 Black White Supremacists: An Interrogation into ‘Christian Hip Hop’s Relationship with the White Man’s Religion
Daniel White Hodge and Travis Harris
5 From ‘Gospel’ to Global: A Talk with Anthony "DJ AA1K" Amos Travis Harris
6 "The Prince of Peace Ain't Down with Police Brutality": Gospel Gangstaz Confronting White Supremacy Post-LA Uprising of 1992 Matthew Linder
7 Skipp Coon: Race, Religion, and Black Radical History in Hip Hop
Phillip Luke Sinitiere
Section III: Boundaries
8 The Ruptures and Reconfigurations of Identity through Christian Hip Hop in Southern Africa Ibrahim Abraham and Tuomas Järvenpää
9 Latinx Innovators in the Emergence of Los Angeles Hip Hop: Expanding the Intersections of Christianity and Hip Hop
10 ‘We Gon’ Be Alright’: Kendrick Lamar and the Theology of Affirmation
Darrius D. Hills
11 The Gospel According to ‘Ye; Kanye West, the Life of Pablo, and Authentic ChristianityTimothy Welbeck
12 ‘How You Gon’ See ‘Em If You Live in the Fog’: Theodicy in the lyrics of DMX
Routledge Studies in Hip Hop and Religion advances critical issues in hip hop and religion studies with particular focus on and attention to the category of religion, highlighting and bringing together a diverse set of voices, perspectives, and approaches. Books in this series contribute to dynamic conversations across a wide field of inquiry, including: theory and method for the study of hip hop and religion; the role of technology and new media in the development of hip hop culture and the mediation of meaning; aesthetics/performance of hip hop and the cosmology and performance of social belief; hip hop, religion and embodiment; identity formation as cultural/religious process and strategic/tactical operational acts; the role of hip hop in faith institutions; and hip hop, religion, and gender/class/sexuality/politics.
The key objectives of the series are:
(1) To offer an expansive contribution to the field of hip hop and religion studies that explores critical issues and formative questions that engage a variety of hip hop cultural products and sources, especially those that make use of the tools, methods, and approaches in the academic study of religion.
(2) To offer a space for research monographs and edited collections that will be of continued use to scholars in the field, graduate students, and, when possible, undergraduate audiences in the academic study of religion and beyond.
(3) To provide critical roadmaps exploring and explaining major topics, questions, data, and critical trends in the study of hip hop and religion and the changing and expanding academic engagements with it.