1st Edition

Birds in Roman Life and Myth

By Ashleigh Green Copyright 2023
248 Pages 46 B/W Illustrations
by Routledge

248 Pages 46 B/W Illustrations
by Routledge

248 Pages 46 B/W Illustrations
by Routledge

This book explores the place of birds in Roman myth and everyday life, focusing primarily on the transitional period of 100 BCE to 100 CE within the Italian peninsula. A diverse range of topics is considered in order to build a broad overview of the subject. Beginning with an appraisal of omens, augury, and auspices – including the ‘sacred chickens’ consulted by generals before battle – it goes... Read more

Introduction; 1. Omens, Augury, and Auspices; 2. The Augural Chickens; 3.Farming and Aviculture; 4. Fowling and Bird-Catching; 5. Pets and Pleasure

Biography

Dr Ashleigh Green is a graduate of The University of Melbourne and a fellow of the State Library of Victoria. Her research interests include the study of birds in the classical world, and more generally what human-animal studies can tell us about societies both past and present. She was the 2021 recipient of the Australasian Society for Classical Studies Early Career Award and a 2022 Virtual Fellow for the Centre for the History of Emotions.

The title of the series “Global Perspectives on Ancient Mediterranean Archaeology,” of which Green’s monograph is the inaugural volume, helps the reader refine his/her expectations, as it suggests a focus on the physical remnants of avian bones and avian detritus; yet at the same time, “Global Perspectives” points at a breadth not limited to an archaeological lens. Indeed, Green’s work (and I assume the goal of the series) moves beyond disciplinary divisions and instead tackles the topic from a range of approaches and sources: zooarchaeological evidence, (e.g., in her discussion of chickens on p. 96)  and, just as importantly, its absence (e.g., the absence of peacock bones from Roman archaeological sites, p. 118); a range of literary works (e.g., by Columella, Juvenal, and Pliny); and an array of artistic works, including paintings, mosaics, and carvings. Using this range of primary sources, Green successfully shows how “taking a ‘bird’s-eye view’ of history is an effective method for interpreting and understanding cultural beliefs and social stratification” (p. 7).

- Alison L. Beringer, Montclair State University