Preface
Acknowledgements
Note on the Text
Introduction
Section 1: The USA
Chapter 1: African Americanisation, Black Power and black British drama since the 1970s.
Chapter 2: Black Power legacies in Kwame Kwei-Armah’s Elmina’s Kitchen, Fix Up and Statement of Regret.
Chapter 3: African American myths, music, icons in Mojisola Adebayo’s Moj of the Antarctic and Muhammad Ali and Me.
Section 2: The Caribbean
Chapter 4: Creolisation and the creole continuum in Caribbean British drama.
Chapter 5: Coming to voice – Roy Williams’ The No Boys Cricket Club, Lift Off, Fallout and Sing Yer Heart out for the Lads.
Chapter 6: African accents – Bola Agbaje’s Gone Too Far!, Detaining Justice and Off the Endz.
Section 3: Africa
Chapter 7: Home to host-land and the hyphen in-between – African British diasporic dramas since the 1990s.
Chapter 8: Multiple personality diasporic disorder – Inua Ellams’ The 14th Tale and Untitled.
Chapter 9: Empathy in diaspora – debbie tucker green’s stoning mary, generations and truth and reconciliation.
Conclusion
Biography
Michael Pearce is a Lecturer in Socially Engaged Theatre at the University of Exeter, UK.
