1st Edition
Black Music, Black Poetry Blues and Jazz's Impact on African American Versification
Edited By Gordon E. Thompson
Copyright 2014
224 Pages
by
Routledge
222 Pages
by
Routledge
222 Pages
by
Routledge
Also available as eBook on:
Black Music, Black Poetry offers readers a fuller appreciation of the diversity of approaches to reading black American poetry. It does so by linking a diverse body of poetry to musical genres that range from the spirituals to contemporary jazz. The poetry of familiar figures such as Paul Laurence Dunbar and Langston Hughes and less well-known poets like Harryette Mullen or the lyricist to... Read more
Contents: Foreword; Introduction: lyrical aesthetics in African American poetry, Gordon E. Thompson. Part I Authenticity in Black Music and Poetry: ’Original rags’: African American secular music and the cultural legacy of Paul Laurence Dunbar’s poetry, Ray Sapirstein; Paul Laurence Dunbar and the spirituals, Lauri Ramey; ’Greatest is the song’: blues as poetic communication in early Langston Hughes and Sterling A. Brown, John Edgar Tidwell; ’A real, solid, sane, racial something’: Langston Hughes’s blues poetry, David Chinitz. Part II Jazz: Its Spiritual Lyricism: The funk aesthetic in African American poetry, Tony Bolden; ’Go in the wilderness’: the missionary impulse of Michael Harper’s poetry, Joseph A. Brown. Part III Lyricism and the Sonic Aesthetic: Amiri Baraka: phenomenologist of jazz spirit, Christopher Winks; Nathaniel Mackey’s ’Song of the Andoumboulou’: making different music, Scarlett Higgins; Hearing a new musical instrument: Harryette Mullen’s critical lyricism, Lisa Mansell. Part IV Transformational Lyricism: ’Taking it out!’: Jayne Cortez’s collaborations with the Firespitters, Renee M. Kingan; Pops, pygmies, and Pentecostal fire: Sanders and Thomas’s ’The Creator has a Master Plan’, Michael Coyle; References; Index.
Biography
Gordon Thompson is Professor of English at City College of New York (CUNY), USA.
'Black Music, Black Poetry makes an important contribution to African American Studies, not least because Gordon Thompson has assembled a group of scholars who actually, truly listen to the music-and whose critical practice therefore exemplifies what interdisciplinarity at its best looks (and sounds) like.' Jürgen E. Grandt, University of North Georgia, USA, author of Kinds of Blue: The Jazz Aesthetic in African American Narrative (2004) ’... these essays provide rich insight into the fascinating subject of jazz, improvisatory music, and poetry, and how their forms and structures enhance each art form. Recommended. Upper-division undergraduates through faculty.’ Choice
