1st Edition

Bowed Strings in 20th-Century Jazz in the United States It Don’t Mean a Thing if It Ain’t Got Those Strings

By Sonya R. Lawson Copyright 2026
156 Pages
by Routledge

156 Pages
by Routledge

Bowed Strings in 20th-Century Jazz in the United States serves as a historical examination of the roles of bowed strings (violin, viola, and cello) in jazz. The subject of bowed strings in jazz has garnered considerable interest, evident in the swell of pedagogical materials published in the last decade, the proliferation of college programs incorporating alternative styles for strings, the... Read more

Introduction 

Chapter 1         Smith Faces South and a Not-So-Average Joe: Violins in Jazz from 1900 to 1950

Chapter 2         Saxes and Violins: Violins in Jazz from 1950 to 2000

Chapter 3         This Ain’t No Viola Joke

Chapter 4         Jazz Cellobration

Chapter 5         Alone Together: Stand-Alone Jazz String Quartets

Chapter 6         String Theory or Creative Chaos: Eclectic Groups Including Bowed Strings

Bibliography

Selected Discography

Biography

Sonya R. Lawson holds a Ph.D. in music history with a supporting area in viola performance from the University of Oregon and an M.M. in viola performance from the University of Minnesota. Her dissertation presented a history of strings in jazz, and her other research interests are cognitive musicology and innovations in music history pedagogy. Dr. Lawson was a principal violist of the Tennessee Philharmonic and an assistant principal of the Cheyenne Symphony and has played in many orchestras. As a member of The Knotty Ensemble avant-garde chamber group, she has released two CDs on the Third Rail label.