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British Art: Histories and Interpretations since 1700


About the Series

This series exists to publish new and rigorous scholarship of the highest quality on British and Irish art after 1700. Proposals will offer new bodies of research or new interpretations, ideally both, and should demonstrate a clear awareness of the proposed volume's contribution to current and wider art-historical debates. We define British art broadly to mean art made in the British Isles or by British artists, and particularly welcome proposals which address the topic from international or comparative cultural perspectives. We also welcome proposals for intellectually ambitious studies concerning more localised areas, issues and themes within British and Irish art during this period. Above all, we encourage proposals for books on British and Irish art which transcend the descriptive in order to offer a broader methodological and/or historiographical contribution to the discipline of art history.

17 Series Titles

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The British School of Sculpture, c.1760-1832

The British School of Sculpture, c.1760-1832

1st Edition

Edited By Jason Edwards, Sarah Burnage
December 27, 2016

The British School of Sculpture, c. 1760–1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following...

Mass-Observation and Visual Culture Depicting Everyday Lives in Britain

Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain

1st Edition

By Lucy D. Curzon
November 28, 2016

Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group’s production and use of painting, collage, ...

Painting Labour in Scotland and Europe, 1850-1900

Painting Labour in Scotland and Europe, 1850-1900

1st Edition

By John Morrison
August 26, 2016

Painting Labour in Scotland and Europe, 1850-1900 explores hitherto unrecognized European variations in the phenomena of rural labour imagery, particularly in Scotland. In exploring these distinctions relative to Scotland and Europe it looks to develop a new understanding of the commonalities and ...

Printing and Painting the News in Victorian London The Graphic and Social Realism, 1869-1891

Printing and Painting the News in Victorian London: The Graphic and Social Realism, 1869-1891

1st Edition

By Andrea Korda
April 07, 2016

Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to ...

India in Art in Ireland

India in Art in Ireland

1st Edition

Edited By Kathleen James-Chakraborty
March 28, 2016

India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an ...

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