1st Edition

British Boarding Houses in Interwar Women's Literature Alternative domestic spaces

By Terri Mullholland Copyright 2017
184 Pages
by Routledge

194 Pages
by Routledge

194 Pages
by Routledge

Embraced for the dramatic opportunities afforded by a house full of strangers, the British boarding house emerged as a setting for novels published during the interwar period by a diverse range of women writers from Stella Gibbons to Virginia Woolf. To use the single room in the boarding house or bedsit, Terri Mullholland argues, is to foreground a particular experience. While the single room... Read more

Table of Contents 

Introduction: Reading the Single Room in the British Boarding House

Chapter 1 – No Place Like Home: Boarding and Lodging in Dorothy Richardson’s Pilgrimage

Chapter 2 – ‘Less than ten shillings between her and nothing’: Social Class and the Economics of the Boarding House in Storm Jameson, Lettice Cooper, and Stella Gibbons

Chapter 3 –‘Can we go back to your room?’ – Relationships, Sexual Encounters and Romantic Friendships in Rosamond Lehmann, Jean Rhys and Winifred Holtby

Chapter 4 – Race and Nationality: Travelling to the British Boarding House

Chapter 5 Conclusion – Rooms for Single Women: Virginia Woolf’s The Years

Biography

Terri Mullholland holds a doctorate in English from the University of Oxford. Her teaching and research interests are in early twentieth-century women’s writing and the intersections of literature and spatial theory. She has published on Jean Rhys, Dorothy Richardson, and May Sinclair, and is co-editor of Spatial Perspectives: Essays on Literature and Architecture (2015).

"This fascinating monograph, British Boarding House in Interwar Women's Literature: Alternative Domestic Spaces, encompasses some of the most familiar names in women's writing of the interwar period." -- Bryony Randall, University of Glasgow