British Spy Fiction and the End of Empire: 1st Edition (Hardback) book cover

British Spy Fiction and the End of Empire

1st Edition

By Sam Goodman


186 pages

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Hardback: 9781138777460
pub: 2015-06-23
eBook (VitalSource) : 9781315772615
pub: 2015-06-05
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The position of spy fiction is largely synonymous in popular culture with ideas of patriotism and national security, with the spy himself indicative of the defence of British interests and the preservation of British power around the globe. This book reveals a more complicated side to these assumptions than typically perceived, arguing that the representation of space and power within spy fiction is more complex than commonly assumed. Instead of the British spy tirelessly maintaining the integrity of Empire, this volume illustrates how spy fiction contains disunities and disjunctions in its representation of space, and the relationship between the individual and the state in an era of declining British power.

Focusing primarily on the work of Graham Greene, Ian Fleming, Len Deighton, and John le Carre, the volume brings a fresh methodological approach to the study of spy fiction and Cold War culture. It presents close textual analysis within a framework of spatial and sovereign theory as a means of examining the cultural impact of decolonization and the shifting geopolitics of the Cold War. Adopting a thematic approach to the analysis of space in spy fiction, the text explores the reciprocal process by which contextual history intersects with literature throughout the period in question, arguing that spy fiction is responsible for reflecting, strengthening and, in some cases, precipitating cultural anxieties over decolonization and the end of Empire.

This study promises to be a welcome addition to the developing field of spy fiction criticism and popular culture studies. Both engaging and original in its approach, it will be important reading for students and academics engaged in the study of Cold War culture, popular literature, and the changing state of British identity over the course of the latter twentieth century.

Table of Contents

Introduction: Hiding in Plain Sight: Locating the Spy in the British Cultural Imaginary 1. Divided States: Space, Power and Occupied Territory in Post-War Europe 2. Between Battleground & Fairground: British Espionage Fiction and Post War London 3. Safe as Houses: The Spy & Domestic Space 4. One Way Ticket: Travel, Identity and Espionage 5. Winds of Change: Colonial Space and Clandestinity Conclusion: British Spy Fiction: The End of Empire & the End of an Era

About the Author

Sam Goodman is Lecturer in English and Communication at Bournemouth University, UK. His primary research interests include twentieth-century fiction, and medical humanities. He is also the editor of Medicine, Health & the Arts: Approaches to the Medical Humanities (Routledge 2013) with Victoria Bates (Bristol) and Alan Bleakley (Plymouth).

About the Series

Routledge Studies in Twentieth-Century Literature

From Joyce to Rushdie, Modernism to Food Writing, Routledge Studies in Twentieth Century Literature looks at both the literature and culture of the 20th century. This series is our home for cutting-edge, upper-level scholarly studies and edited collections. Considering literature alongside religion, popular culture, race, gender, ecology, travel, class, space, and other subjects, titles are characterized by dynamic interventions into established subjects and innovative studies on emerging topics.

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Subject Categories

BISAC Subject Codes/Headings:
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh