Created in 2009, Cultural Expressions in Music began as a series of monographs that sought to promote and share the diversity of perspectives, cultures, experiences, philosophies, and contributions of The College Music Society’s membership and the music community at large. The volumes published under this rubric follow the tenets of geo-musicology, an interdisciplinary outreach of recent coinage, which integrates musical expression, geo-political thinking, and migratory movement of musicians, musical genres, styles, repertoire, and practices. The monographs and edited collections in the series urge readers worldwide to reflect, musically and culturally, upon one of the most pressing issues of our time: immigration.
Edited By Mauricio Rodríguez
April 20, 2020
Musicians’ Migratory Patterns: American-Mexican Border Lands considers the works and ideologies of an array of American-based, immigrant Mexican musicians. It asserts their immigrant status as a central force in nourishing, informing, and propelling musical and artistic concerns, uncovering pure ...
By Christopher Johnson
October 24, 2019
Musicians’ Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "...
Edited By Franco Sciannameo
January 30, 2018
Musicians’ Migratory Patterns: The Adriatic Coasts contains essays dedicated to the movement of musicians along and across the coasts of the Adriatic Sea. In the course of this book, the musicians become narrators of their own stories seen through the lenses of wanderlust, opportunity, exile, and ...