1st Edition

Care Ethics and Art



  • Available for pre-order. Item will ship after November 25, 2021
ISBN 9780367765651
November 25, 2021 Forthcoming by Routledge
296 Pages 20 Color & 20 B/W Illustrations

USD $160.00

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Book Description

What would it mean to substitute care for economics as the central concern of politics? This anthology invites analysis, reflections and speculations on how contemporary artists and creative practitioners engage with, interpret, and enact care in practices which might forge an alternative ethics in the age of neoliberalism.

Interdisciplinary and innovative, it brings together contributions from artists, researchers and practitioners who creatively consider how care can be practised in a range of contexts, including environmental ethics, progressive pedagogies, cultures of work, alternative economic models, death literacy advocacy, parenting and mothering, deep listening, mental health, disability, and craftivism.

Care Ethics and Art contributes new modes of understanding these fields, together with practical solutions and models of practice, while also offering new ways to think about recent contemporary art and its social function. The book will benefit scholars and postgraduate research students in the fields of art, art history and theory, visual cultures, philosophy and gender studies, as well as creative and arts practitioners.

Table of Contents

Introduction Jacqueline Millner and Gretchen Coombs

Section 1: Caring relations: collaborating, parenting

Chapter 1 Care, interrelatedness and creative practices: The Care Project (2018-2022): Jacqueline Millner

Chapter 2 Creative Care: modelling caring practices through artistic collaborations in neurodiverse and palliative-care contexts: Catherine Bell

Chapter 3 Improvising Caring: Catherine Ryan

Chapter 4 Mental Illness, Care and the Bad Mother: Sylvia Griffin

Chapter 5 Soiling the white Cube: artist parent experiences: Nina Ross, Lizzie Sampson and Jessie Scott

Section 2: Care and materiality: bodies, craft, textiles

Chapter 6 Mattering Bodies in a Mattering World: Katie Lee

Chapter 7 Remaining Alert to an Ethos of Care: the responsiveness of artistic process: Kylie Banyard

Chapter 8 The Migrant Material: Azza Zein

Chapter 9 Threads of Resistance: feminist activism, collaborative making and care ethics: Rachael Haynes

Chapter 10 Care through Craft: Making in defence of Human Rights: Tal Fitzpatrick and Stephanie Dunlap

Section 3: Care: value, work, institution

Chapter 11 Sex Work, Care Work and Art Work in Sidsel Meineche Hansen and Therese Henningsen’s Maintenancer (2018): Benison Kilby

Chapter 12 Care-full Reading: towards a speculative practice of study in the university: Andrew Goodman

Chapter 13 Alleviating Anxiety: Care in Action during the pandemic: Rebecca Mayo

Chapter 14 Working in the Trouble and Jane Bennett’s Middle Ground: Animating Creative Projects in the Australian Anthropocene: Elizabeth Day

Chapter 15 FAVOURECONOMY: Sharing alternative value in the arts: Stella Chen and Claire Field

Chapter 16 Caring about the Vast Non-existent Horizon: Nancy Mauro-Flude

Section 4: Artist Pages

Chapter 17 Introduction: Jacqueline Millner

Chapter 18 Sam Bews, Elements (The Language of My Mother, Second Iteration), 2021

Chapter 19 Rebekah Pryor, Salt Cellars, 2017

Chapter 20 Ebony Muller, CARE DANCE, 2017–2020

Chapter 21 Luisa Bufardeci, Tacking, 2019–ongoing

Chapter 22 Linda Judge, Mum, 2019

Section 5: Care and earth: doting, healing, advocating

Chapter 23 Patch/work, Re/pair: A braided dialogue on breakage, fires, and the labours of care: Zsuzsi Soboslay and Deb Cleland

Chapter 24 Capturing the Air: care in the field of measurement: Jessie Boylan

Chapter 25 Stand Your Ground: global solidarity through creative care Caroline Phillips

Chapter 26 A Manifesto of Care: Keely Macarow

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Editor(s)

Biography

Jacqueline Millner is Associate Professor of Visual Arts at La Trobe University, Australia. Her books include Conceptual Beauty (Artspace, 2010), Fashionable Art (Bloomsbury, with A.Geczy, 2015), Feminist Perspectives on Art: Contemporary Outtakes, (Routledge, co-edited with Catriona Moore, 2018) and the forthcoming Contemporary Art and Feminism (Routledge, with Catriona Moore, 2021). She has co-curated major exhibitions and public programs including Curating Feminism (2014), Future Feminist Archive (2015) and Femflix (2016).

Gretchen Coombs is a Post-Doctoral Fellow in the Design and Creative Practice Enabling Capability Platform at RMIT, Australia. She is a co-author of Creative Practice Ethnographies (Rowan & Littlefield 2019) and author of The Lure of the Social: Encounters with Contemporary Artists (Intellect 2021).