Celtic Music and Dance in Cornwall: Cornu-Copia
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Focusing on the Cornish Music and Dance Revival, it investigates the revivalists’ claims about Cornwall’s cultural distinctiveness and Celtic heritage, both which are presently used as arguments to promote the English county’s political status as an independent Celtic nation. Author describes two different revival movements that aim at reviving Cornwall’s culture but seem to have entirely different ideas about the concept of authentic Celto- Cornish music and dance. In a first part, historical sources connect Cornwall to its Celtic roots, with an analysis of how the early Cornish revivalists used, changed and adapted this material during the 1980s and to create a Celto-Cornish revival corpus. In a second part, the book addresses the desire of the Cornish people to express their local and Celtic identities through music and dance, and various practices musicians and dancers have developed to do so. The Nos Lowen movement, which started in the year 2000, is important in this study because it has expanded and newly interpreted the concepts of ‘traditional’, ‘Celtic’ and ‘authentic’.
Table of Contents
1 Cornish Distinctiveness: History and Language
2 Celtic Traces in Cornish Music and Dancing
3 Anglo-Cornish Traditions
4 The Role Models: Cornwall and Circumambient Revival Movements
5 The Cornish Music and Dance Revival: Early Research and Publications
6 Developing and Expanding Cornish Music
7 The Nos Lowen Movement
Lea Hagmann is a lecturer and postdoc researcher in Cultural Anthropology of Music at the University of Bern, where she is also the Director of Studies in World Arts and Music.