China's Cinema of Class: Audiences and Narratives, 1st Edition (Hardback) book cover

China's Cinema of Class

Audiences and Narratives, 1st Edition

By Nicole Talmacs


202 pages | 19 B/W Illus.

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Paperback: 9781138351554
pub: 2018-08-14
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pub: 2017-02-08
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China’s commercial film industry can be used as a map to understand how class is interwoven into the imaginations that inform and influence social change in Chinese society. Film consumption is important in this process, particularly for young adult urbanites that are China’s primary commercial cinema patrons.

This book investigates the web between the representation of class themes in Chinese film narratives, local audience reception to these films, and the socialisation of China’s contemporary class society. Bringing together textual analyses of narratives from five commercially exhibited films: Let the Bullets Fly (Jiang: 2010), Lost on Journey (Yip: 2011), Go Lala Go! (Xu: 2011), House Mania (Sun: 2011) and The Piano in the Factory (Zheng: 2011); and the reception of 179 Chinese audiences from varying class positions, it investigates the extent to which fictional narratives inform and reflect current class identities in present-day China. Through group discussions in Beijing, Hangzhou, Nanjing, Lanzhou and Taiyuan, the author searches for audiences beyond major cities that are typically the focus of film consumption studies in China. As such, the book reveals not only how deeply and widespread the socialisation of China’s class society has become in the imaginations of Chinese audiences, but also what appears to be a preference of both audiences and filmmakers for the continuation of China’s new class society.

Revealing the extent to which cinema continues to play a key role in the socialisation of class structures in contemporary Chinese society, this book will be important for students and scholars of Chinese Studies, Film Studies, Communication Studies, as well as observers of China’s film industry.

Table of Contents

1 China's audiences and the cinema of class

2 Class on screen and in reality: Pre-conditioning audiences

3 Let the Bullets Fly: The socialisation of assumptions

4 Lost on Journey: Prejudice in class relations

5 Go Lala Go!: Secretaries, shopping and spinsterhood

6 House Mania:Homeownership, marriageability and masculinity

7 The Piano in a Factory: Suzhi, industrial heroes, and the spectacle of poverty

8 Conclusion: Class, the film, and the filmmaker

About the Author

Nicole Talmacs is a Lecturer in Media and Communication at Xi’an Jiaotong-Liverpool University, China.

About the Series

Routledge Studies on China in Transition

The spectacular economic development of China has raised many questions about its future. China in Transition participates in the intellectual developments by focusing on social, political and cultural change in the China of the 1990s and beyond. Drawing on new research from scholars in Asia, Australia, North America and Europe, this series is invaluable in monitoring reform and interpreting the consequences for China, its neighbours and the West.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
PERFORMING ARTS / Film & Video / General
SOCIAL SCIENCE / Ethnic Studies / General
SOCIAL SCIENCE / Social Classes
SOCIAL SCIENCE / Regional Studies