204 pages | 7 B/W Illus.
Recognising that creativity is a major driving force in the post-industrial economy, the Chinese government has recently established a range of "creative clusters" – industrial parks devoted to media industries, and arts districts – in order to promote the development of the creative industries. This book examines these new creative clusters, outlining their nature and purpose, and assessing their effectiveness. Drawing on case studies of a range of cluster models, and comparing them with international examples, the book demonstrates that creativity, both in China and internationally, is in fact a process of fitting new ideas to existing patterns, models and formats. It shows how large and exceptionally impressive creative clusters have been successfully established, but raises the important questions of whether profit or culture is the driving force, and of whether the bringing together of independent-minded, creative people, entrepreneurial businessmen, preferential policies and foreign investment may in time lead to unintended changes in social and political attitudes in China, including a weakening of state bureaucratic power. An important contribution to the existing literature on the subject, this book will be of great interest to scholars of urban studies, cultural geography, cultural economics and Asian studies.
"Keane’s latest book on ‘creative clusters’ raises important questions, and these questions alone make this a valuable and durable study for researchers and professionals working on China."
Thomas J. Berghuis, University of Sydney, Australia
China Information 2012 26: 381
"the book is a well-grounded account of how creative economy is implemented in China"
Zane Kripe, Leiden University
Asiascape: Digital Asia 2 (2015) 282-283
"Overall, it is an extremely stimulating read, laying out a rich repast of new insights into the relevance the MBH had for the time of its composition and continues to have today. This is a book no MBH scholar can ignore."
The Statesman newspaper 20 September, 2015
Introduction 1. Culture, Commerce and Creativity in China 2. Redesigning China’s Creative Space 3. Clusters and Regional Development 4. Beijing: Creative Capital or State Managed Openness? 5. Art Districts: The Pin-up Child of the Chinese Creative Economy 6. Shanghai’s Cluster-led Creative Renaissance 7. Media Districts, Parks and Bases 8. Culture, Creativity, Innovation, Imagination
The aim of this series is to publish original, high-quality work by both new and established scholars in the West and the East, on all aspects of media, culture and social change in Asia. New proposals are welcome, and should be sent in the first instance to the series editor, Stephanie Donald, at StDonald@lincoln.ac.uk.
Gregory N. Evon, University of New South Wales
Devleena Ghosh, University of Technology, Sydney
Michael Keane, Curtin University
Tania Lewis, RMIT University, Melbourne
Vera Mackie, University of Wollongong
Kama Maclean, University of New South Wales
Laikwan Pang, Chinese University of Hong Kong
Gary Rawnsley, Aberystwyth University
Ming-yeh Rawnsley, School of Oriental and African Studies, University of London
Jo Tacchi, Loughborough University
Adrian Vickers, University of Sydney
Jing Wang, MIT
Ying Zhu, Hong Kong Baptist University