1st Edition

Chinese Documentaries From Dogma to Polyphony

By Yingchi Chu Copyright 2007
266 Pages
by Routledge

266 Pages
by Routledge

272 Pages
by Routledge

In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both... Read more

Introduction: Writing about Chinese Documentaries  1. The Documentary Genre and Chinese Documentaries  2. Nationalism and the Birth of Chinese Documentary  3. The Dogmatic Formula  4. Media Reform, Documentary Programming, and the New Citizen  5. Documenting the Law  6. Documenting the Minorities  7. The Many Voices of Chinese Documentary.  Conclusion: Documentary as Critical Discourse.  Notes.  Bibliography.  Filmography

Biography

Yingchi Chu is a Senior Lecturer in Media Studies at Murdoch University, Western Australia. She has published journals and book chapters on Chinese media, and is the author of Hong Kong Cinema: Coloniser, Motherland and Self (2003).