1st Edition
Chinese and Japanese Films on the Second World War
1. The Second World War in Post-War Chinese and Japanese Film Timothy Y. Tsu, Sandra Wilson, King-fai Tam 2. A Genealogy of Anti-Japanese Protagonists in Chinese War Films, 1949-2011 Timothy Y. Tsu 3. Film, Ethnic Minorities, and the Anti-Japanese War: An Analysis of The Muslim Detachment and Jin Yuji Yanli Han, translated by Timothy Y. Tsu 4. The Sino-Japanese War in Ip Man: From Miscommunication to Poetic Combat Paola Voci 5. War, Horror and Trauma: Japanese Atrocities on Chinese Screens Kristof Van den Troost 6. Documentaries as Historical Text: the Emergence of the East River Column on the Hong Kong Television Screen King-fai Tam 7. The Theme of Salvation in Chinese and Japanese War Movies Siu Leung Li 8. Establishing the Genre of the Revisionist War Film: The Shin-Tōhō Body of Post-Occupation War Films in Japan Dick Stegewerns 9. Wild, Wild War: Okamoto Kihachi and the Politics of the Desperado Films Hiroshi Kitamura 10. Japan’s Longest Days: Tōhō and the Politics of War Memory, 1967-1972 Harald Salomon 11. The Himeyuri Film Cycle: Cultural Change and Remakes of an Okinawan Tragedy Christopher Ames 12. What is There to Laugh About? University of Laughs as an Anti-War Film Comedy Beng Choo Lim 13. A Past to be Ashamed or Proud of? Echoes of the Fifteen-Year War in Japanese Film Marco del Bene
Biography
King-fai Tam is an Associate Professor in the Department of Chinese Culture at Hong Kong Polytechnic University, Hong Kong, China.
Timothy Y. Tsu is a Professor in the School of International Studies at Kwansei Gaukuin University, Japan.
Sandra Wilson is a Professor in the School of Arts and a Fellow of the Asia Research Centre at Murdoch University, Australia.
