1st Edition
Cinematic Digital Television Negotiating the Nexus of Production, Reception and Aesthetics
Introduction 1. Quality and the Cinematic: Contested Grounds in Television 2. Aesthetics and Style in Cinematic Television 3. Production, Engagement, Intervention: Industries and Audiences in Cinematic Digital Television 4. Episodic Brand-Building: Cinematic Digital Television as Experience and Extension 5. Reevaluating Cinematic Television: Four Case Studies Conclusion
Biography
Chris Comerford is Lecturer in Communication and Media at the University of Wollongong, Australia. His research specialises in screen studies, fan studies and digital media, mapping cinematic television in relation to production, reception and aesthetic aspects of screen studies, and the benefits of emergent media, including social media, video games and streaming television, in leisure and pedagogy.
