1st Edition
Cinematic Storytelling A Comprehensive Guide for Directors and Cinematographers
Preface
Acknowledgements
Table of Contents
Table of Illustrations
Chapter 1: What is cinematic storytelling?
Chapter 2: Foundations in the script
Chapter 3: Coverage defines attention
Chapter 4: Cinematic thinking
Chapter 5: Patterns for Character Actions
Chapter 6: Patterns for Character Looks
Chapter 7: Patterns for Dialogue – structure
Chapter 8: Patterns for Dialogue – examples
Chapter 9: Patterns for Settings
Chapter 10: Patterns for Objects
Chapter 11: Patterns for Evocative Imagery
Chapter 12: Patterns and movement
Chapter 13: Scene shaping and interconnections
Chapter 14: Developing the coverage plan
Reference Materials
Index
Biography
Thomas Robotham teaches screenwriting, filmmaking, and cinematography. He is currently Affiliated Faculty at Emerson College, and Director of Photography (DP) in the International Cinematographers Guild. He holds a patent in light-emitting diode (LED) lighting for film and video. Thomas has also worked as a Creative Director (advertising) and as a fine artist (sculpture). www.robotham.com
'A refreshing revision of the filmmaker’s visualization process that describes the essential creative choices for directors and cinematographers alike when determining coverage and cinematic storytelling.'
Charlie Egleston, Filmmaker and Professor of Film Production, Fanshawe College'Cinematic Storytelling is an exceptional book on directing and cinematography for it provides the tools on how to tell cinematic stories visually, in ways that will reach an audience. A close study of this text and consistent practice of these principles will shift any amateur or student filmmaker into the professional realm. We may know how to "read" a movie, but directors and cinematographers need the tools to understand how to do it.'
Kurt Lancaster, Professor and Program Lead, Creative Media and Film, Northern Arizona University. Author of Basic Cinematography and DSLR Cinema.
