Cinematic Urbanism : A History of the Modern from Reel to Real book cover
1st Edition

Cinematic Urbanism
A History of the Modern from Reel to Real

ISBN 9780415700498
Published July 25, 2006 by Routledge
272 Pages

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Book Description

The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London and Tokyo turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities.

Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema. AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. They include:

  • Cinema Paradiso
  • It's a Wonderful Life
  • Metropolis
  • Brazil
  • Blade Runner
  • Annie Hall
  • Taxi Driver
  • Do the Right Thing
  • My Beautiful Laundrette
  • The Truman Show.

Alsayyad argues that our understanding of the city cannot be viewed independently of cinematic experience. Films do not only capture the depiction of a society; they influence the way we construct images of the world and, as a result, how we operate within it. We are beginning to blur the distinction between what is real in the everyday, and how we imagine the everyday. Cinematic Urbanism explores this dynamic, bringing together insights from urban and film studies to illuminate current architectural debate.



Table of Contents

Introduction: The Cinematic City and the Quest for the Modern  1. Industrial Modernity: The Flâneur and the Tramp in the Early Twentieth Century  2. Urbanizing Modernity: The Traditional Cinematic Small Town  3. Orwellian Modernity: Utopia/Dystopia and the City of the Future Past  4. Cynical Modernity, or the Modernity of Cynicism  5. From Postmodern Condition to Cinematic City  6. Voyeuristic Modernity: The Lens, the Screen and the City  7. The City through Different Eyes: The Modernity of the Sophisticate and the Misfit  8. An Alternative Modernity: Race, Ethnicity and the Urban Experience  9. Exurban Postmodernity: Utopia, Simulacra and Hyper-Reality.  A Final Note

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Nezar AlSayyad is Professor of Architecture, Planning and Urban History at the University of California at Berkeley. He is the Associate Dean for International Programs at the College of Environmental Design, and Chair of the Center for Middle Eastern Studies at Berkeley. Additionally, he is the Director of the International Association for the Study of Traditional Environments and principal editor of its journal, Traditional Dwellings and Settlements Review.