The city and the cinema have become inextricably intertwined over the last century, with the identities of places becoming bound up in their cinematic portrayals. We have seen the landmarks of New York, London and Tokyo turn into iconic symbols of wealth, power, status, style and culture, and for the majority of people the images and sounds of movies form the only experience they will ever have of distant cities.
Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema. AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. They include:
Alsayyad argues that our understanding of the city cannot be viewed independently of cinematic experience. Films do not only capture the depiction of a society; they influence the way we construct images of the world and, as a result, how we operate within it. We are beginning to blur the distinction between what is real in the everyday, and how we imagine the everyday. Cinematic Urbanism explores this dynamic, bringing together insights from urban and film studies to illuminate current architectural debate.
Introduction: The Cinematic City and the Quest for the Modern 1. Industrial Modernity: The Flâneur and the Tramp in the Early Twentieth Century 2. Urbanizing Modernity: The Traditional Cinematic Small Town 3. Orwellian Modernity: Utopia/Dystopia and the City of the Future Past 4. Cynical Modernity, or the Modernity of Cynicism 5. From Postmodern Condition to Cinematic City 6. Voyeuristic Modernity: The Lens, the Screen and the City 7. The City through Different Eyes: The Modernity of the Sophisticate and the Misfit 8. An Alternative Modernity: Race, Ethnicity and the Urban Experience 9. Exurban Postmodernity: Utopia, Simulacra and Hyper-Reality