1st Edition

Class, Gender, and Sexuality in Thomas Gainsborough’s Blue Boy

By Valerie Hedquist Copyright 2019
228 Pages 16 Color & 32 B/W Illustrations
by Routledge

228 Pages 16 Color & 32 B/W Illustrations
by Routledge

228 Pages 16 Color & 32 B/W Illustrations
by Routledge

The reception of Thomas Gainsborough’s Blue Boy from its origins to its appearances in contemporary visual culture reveals how its popularity was achieved and maintained by diverse audiences and in varied venues. Performative manifestations resulted in contradictory characterizations of the painted youth as an aristocrat or a "regular fellow," as masculine or feminine, or as heterosexual or... Read more

Introduction; Chapter 1 Private Beginnings, Public Performances; Chapter 2 The Blue Boy from Gainsborough’s Showroom to Grosvenor’s Picture Gallery; Chapter 3 Public Recognition; Chapter 4 Reproducing The Blue Boy; Chapter 5 Farewell to England; Chapter 6 Welcome to America; Chapter 7 Changing Roles for The Blue Boy; Conclusion

Biography

Valerie Hedquist is Professor of Art History at the University of Montana, USA.