1st Edition

Coding and Representation from the Nineteenth Century to the Present
Scrambled Messages

  • Available for pre-order. Item will ship after May 7, 2021
ISBN 9780367769673
May 7, 2021 Forthcoming by Routledge
216 Pages 64 B/W Illustrations

USD $160.00

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Book Description

An exploration of trends and cultures relating to electrical telegraphy and recent digital communications, this collection emerges from the research project Scrambled Messages: The Telegraphic Imaginary 1866–1900, which investigated cultural phenomena relating to the 1866 transatlantic telegraph. It interrogates the ways in which society, politics, literature and art are imbricated with changing communications technologies, from the mid-nineteenth century to the present. Contributors consider control, imperialism and capital, as well as utopianism and hope, grappling with the ways in which human connections (and their messages) continue to be shaped by communications infrastructures.

Table of Contents

0. Introduction  1. To Be Connected: Perspectives on Autonomy and Risk from the Electric Age  2. Cyborg Imperium, c. 1900  3. Universal Visual Languages in the Age of Telegraphy  4. Plotting Passengers at a Metropolitan Station: Paddington in the Mid-Nineteenth Century  5. ‘Some sentient creature’. The Cable Body and the Body of Labour: Robert Dudley, William Howard Russell, and the 1865 Voyage of the Great Eastern  6. Signal Markings in Victorian Miscellanies: Noise and Signal from the Idyll to Aestheticism  7. ‘Recoding the Sea’: Uneven and Combined Capitalism in the work of Allan Sekula (Telegraph Version)  8. RANDOM INTERNATIONAL

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Anne Chapman researches the interplay of cultural and social forms in the nineteenth and early twentieth century with interests in periodical culture, short fiction and the confluence of the visual and the verbal. She teaches at Glasgow Caledonian University London.

Natalie Hume is an independent art historian and works in publishing and film. She completed her PhD in the British nineteenth-century visual representation of America at the Courtauld Institute of Art.