1st Edition

Comedy in Literature and Popular Culture From Aristophanes to Saturday Night Live

By James V. Morrison Copyright 2025
244 Pages 11 B/W Illustrations
by Routledge

244 Pages 11 B/W Illustrations
by Routledge

244 Pages 11 B/W Illustrations
by Routledge

Comedy in Literature and Popular Culture: From Aristophanes to Saturday Night Live explores works of comedy from the past 2,500 years. James V. Morrison discusses works including those of Aristophanes and Plautus, Shakespeare and Moliere, and modern comic writers, performers, and cartoonists, such as Thomas Nast, P. G. Wodehouse, Charlie Chaplin, and Jerry Seinfeld, asking the following... Read more

Acknowledgments

A Note on Translation

Chapter One. The World of Comedy                                                                       

Chapter Two. Comic Heroes in Aristophanes and Heller’s Catch-22                     

Chapter Three. The Extreme Characters of Comedy                                               

Chapter Four. Socrates, Memory, and the Power of Comedy                                  

Chapter Five. Slaves, Masters, and Social Inversion                                                           

Chapter Six. Surrealism, Politeness Theory, and Comic Twins in Plautus and Shakespeare

Chapter Seven. Comedy in Tragedy: King Lear, The Bacchae, and Waiting for Godot

Chapter Eight. Modern Performance of Ancient Comedy: Aristophanes’ Frogs   

Bibliography

Index

Biography

James V. Morrison is Professor of Classical Studies at Centre College in Kentucky, USA.  His previous books examined Homer, Thucydides, and shipwreck narratives.  He teaches courses on Greek and Latin languages and literature and Indo-European Linguistics.

“The conversational tone, explanatory textboxes, and not infrequent mention of his students and their experiences make this book an ideal fit for the undergraduate classroom; as a teacher of comparative ancient and modern comedy, I would certainly make use of it. The book’s primary originality lies in the exceptionally chosen comparisons. Morrison’s vivid descriptions of comic sketches highlight the performative nature of comedy and that it must be analyzed and understood as such… Scholarship on ancient comedy can too often forget that comedy is supposed to be funny.  No such critique can be levelled at Morrison.” 

Amy S. Lewis--Howard University Bryn Mawr Classical Review 2025.10.45