Composition, Printing and Performance: Studies in Renaissance Music, 1st Edition (Hardback) book cover

Composition, Printing and Performance

Studies in Renaissance Music, 1st Edition

By Bonnie J. Blackburn


352 pages

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Hardback: 9780860788317
pub: 2000-06-16
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The first articles here focus on Johannes Tinctoris, the prominent late 15th-century music theorist. They deal with the discovery of his lost pedagogical motet, and his treatise on counterpoint; this forms the basis of a wide-ranging investigation of contemporary practices of improvisation and composition (singing super librum and writing res facta), in which the question of ’successive’ and ’simultaneous’ composition is reconsidered. Tinctoris's sometimes sharp rebukes to famous composers are also investigated in the context of works by Ockeghem. Ottaviano Petrucci's first publication of music, the ’Odhecaton’ of 1501, is the subject of another three articles. These identify the editor of the work, and make new proposals on the provenance and editing of this repertory. The last article presents an edition of a treatise of ca. 1600 in the form of a letter from the virtuoso cornettist Luigi Zenobi to an unknown prince, which offers new insights on the change in performance practice at the end of the Renaissance.

Table of Contents

Contents: Introduction; Tinctoris and the Art of Composition: A lost guide to Tinctoris's teachings recovered; On compositional process in the fifteenth century; Did Ockeghem listen to Tinctoris?; Petrucci and His Sources: Obrecht's Missa je ne demande and Busnoy's chanson; Lorenzo de' Medici, a lost Isaac manuscript, and the Venetian Ambassador; Petrucci's Venetian editor: Petrus Castellanus and his musical garden; Advice on Performance, ca 1600: Luigi Zenobi and his letter on the perfect musician, with Edward E. Lowinsky; Addenda et Corrigenda; Index.

About the Series

Variorum Collected Studies

The first title in the Variorum Collected Studies series was published in 1970. Since then well over 1000 titles have appeared in the series, and it has established a well-earned international reputation for the publication of key research across a whole range of subjects within the fields of history.

The history of the medieval world remains central to the series, with Byzantine studies a particular speciality, but the range of titles extends from Hellenistic philosophy and the history of the Roman empire and early Christianity, through the Renaissance and Reformation, up to the 20th century. Islamic Studies forms another major strand as do the histories of science, technology and medicine.

Each title in the Variorum Collected Studies series brings together for the first time a selection of articles by a leading authority on a particular subject. These studies are reprinted from a vast range of learned journals, Festschrifts and conference proceedings. They make available research that is scattered, even inaccessible in all but the largest and most specialized libraries. With a new introduction and index, and often with new notes and previously unpublished material, they constitute an essential resource. 

For further information about contributing to the series please contact Michael Greenwood at [email protected]

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Subject Categories

BISAC Subject Codes/Headings:
HISTORY / General
MUSIC / General