Materiality and Meaning in Contested Places
- Available for pre-order. Item will ship after June 25, 2021
Conflict Landscapes explores the long under-acknowledged and under-investigated aspects of where and how modern conflict landscapes interact and conjoin with pre-twentieth century places, activities, and beliefs, as well as with individuals and groups.
Investigating and understanding the often unpredictable power and legacies of landscapes which have seen (and often still viscerally embody) the consequences of mass death and destruction, the book shows, through these landscapes, the power of destruction to preserve, refocus, and often reconfigure the past. Responding to the complexity of modern conflict the book offers a coherent, integrated, and sensitized hybrid approach which calls on different disciplines where they overlap in a shared common terrain. Dealing with issues such as memory, identity, emotion, and wellbeing the chapters tease out the human experience of modern conflict and its relationship to landscape.
Conflict Landscapes will appeal to a wide range of disciplines involved in studying conflict such as archaeology, anthropology, material culture studies, art history, cultural history, cultural geography, military history, and heritage and museum studies.
Table of Contents
Paul Cornish and Nicholas J Saunders
Part I: The First World War
1.The Dead and Their Spaces: Origins and Meanings in Modern Conflict Landscapes.
Nicholas J Saunders
2.Cutting the Landscape: Investigating the 1917 Battlefield of the Messines Ridge.
3.Garden Landscapes of the Great War
Jeffrey S. Reznick
4.Conflict Gas-scape: Chemical Weapons on the Eastern Front, January, 1915.
Anna Izabella Zalewska and Jacek Czarneck
5.Controversy in the Julian Alps: Erwin Rommel, Landscape, and 12th Battle of the Soča/Isonzo. Alexander J. Potočnik
6.First World Landscapes on the Alpine Frontline: New Technologies Between Wish and (Augmented) Reality.
Alessandro Bezzi, Luca Bezzi, Rupert Gietl, Giuseppe Naponiello
7.Engaging Military Heritage: The Conflict Landscape of Val Canale, Italy.
Anita Pinagli, Volker Pachauer and Alexander J. Potočnik
8.Conflict, Mobility and Landscapes: The Arab Revolt in Southern Jordan, 1916-1918.
9.Life and Death in a Conflict Landscape: Visitor and Local Perspectives From the Western Front. Paola Filippucci
Part II: The Second World War
10.Who Owns the ‘wilderness’? Indigenous Second World War Landscapes in Sápmi, Finnish Lapland.
Oula Seitsonen and Gabriel Moshenska
11.Operation Northern Light: Remote Sensing a Second World War Conflict Landscape in Northern Finland.
Birger Stichelbaut, Suzie Thomas, Oula Seitsonen, Wouter Gheyle, Guy De Mulder, Ville Hemminki, Gertjan Plets
12.Power of Place and Landscape: The Us 10th Mountain Division, From Colorado to the Apennines.
John M Scott
13.War in the Normandy Bocage: British Perceptions and Memory of a Militarized Landscape.
14.Archaeology of D-day and of the Battle of Normandy: ‘the Longest Day’, Landscape of Myth and Materiality.
Vincent Carpentier, Emmanuel Ghesquière, Benoît Labbey, Cyril Marcigny
15.‘An Example of Nazi Kultur’: Paradigmatic and Contested Materiality at Bergen-belsen Concentration Camp.
Caroline Sturdy Colls and William Mitchell
16. Campscapes and Homescapes of the Mind’s Eye: A Methodology for Analysing the Landscapes of Internment Camps.
Part III: Beyond World Wars
17.Imagining Maritime Conflict Landscapes: Reactive Exhibitions, Sovereignty and Representation in Vietnam.
18.People, Barriers, Movement and Art: Contested Sandscapes of Western Sahara.
19.A Parthian City in the Iran-iraq War: Incorporating the Ancient Site of Charax Spasinou Into a Modern Conflict Landscape.
20.Abstract Landscapes: Learning to operate in conflict space
Mark A. Burchell
Nicholas J. Saunders is Professor of Material Culture at Bristol University, UK, and co-director of the ‘Great Arab Revolt Project‘. Between 1998 and 2004, he was British Academy Senior Research Fellow at University College London, making the first anthropological study of the material culture of the First World War.
Paul Cornish is a Senior Curator at the Imperial War Museum. He is currently working on the creation of a new permanent Second World War gallery to open in 2021, having previously been involved with the construction of the First World War gallery which opened in 2014.