1st Edition
Consent in Shakespeare’s Classical Mediterranean Women Speak Truth to Power
Foreword
Preface
Acknowledgements
Introduction
Chapter 1: Permission ≠ Consent: Prisoner Exchanged, Affirmative Consent Unchanged in Troilus and Cressida
Chapter 2: Street Rules in Coriolanus: (S)Mothering and Silenced Love in Coriolanus
Chapter 3: Ignoble Nobles: Consent in the Age of Pseudo-Chivalry in The Two Noble Kinsmen
Chapter 4: Roofied Wood: Drugs and BDSM in Reacquired Patriarchy in A Midsummer Night’s Dream
Chapter 5: Gold and Girls: Timon’s Attempted Murder by Sex in Athens
Chapter 6: Silenced Shades: Timing Revolt Against Oppression in The Winter’s Tale
Chapter 7: Losing to Win: The Peril of Virginity in Pericles, Prince of Tyre
Chapter 8: Private Discourse in Public Lives: Survival Equals Victory: Julius Caesar
Chapter 9: Othered Women: A Royal Brat Out-Cleopatra’s Herself in Antony and Cleopatra
Chapter 10: Symbolic Freedom: The Anglo-Roman Demi-Transition in Cymbeline
Chapter 11: No Laughing MacGuffin: Domestic Violence in a Carnivalesque of Errors
Chapter 12: Status Matters. Not!: The Inability of Ignobility in Titus Andronicus
Conclusion
Index
Biography
Artemis Preeshl is a Fulbright Senior Specialist in Theatre and professional director, actor, dialect and intimacy coach, and choreographer who has worked at Tulane University, Loyola University New Orleans, Elon University, the University of West Georgia, Utah State University, Buena Vista University, the Faculty of Creative and Artistic Technology at Universiti Teknologi MARA in Malaysia, and Kalakshetra Foundation, the University of Madras, and Central University of Tamil Nadu in India. She is the Director of the Center for Teaching, Innovation, and Research at Adams State University.
