1st Edition
Constructing Building Enclosures Architectural History, Technology and Poetics in the Postwar Era
Acknowledgements
Notes on Contributors
Introduction: Enclosure Expanded
Clifton Fordham
PART 1
Framing Enclosures
1 Cladding the Palazzo Lavoro: Pier Luigi Nervi and "The Borderline Between Decoration and Structure."
Thomas Leslie
2 The Decorative Modernism of Aluminium Cladding: Architecture and Industry
Tait Johnson
3 The United Nations Secretariat, Its Glass Facades and Air-conditining,1947-1950
Joseph M. Siry
4 Victor Lundy, Walter Bird, and the Promise of Pneumatic Architecture
Whitney Moon
5 Saarinen’s Shells: The Evolved Influence of Engineering and Construction
Rob Whitehead
6 Coenesthetic Comfort: Between Climate and the Body
Andrew Cruse
PART 2
Assembling Constructions
7 Responsive Modernism: Louis Kahn’s Weiss Residence Enclosure
Clifton Fordham
8 Intent vs. Interpretation: the Prosaic Poetics of Leweremtz & Nyberg
Matthew Hall
9 "The Material of the Future": Precast Concrete at the 1962 Seattle World’s Fair
Tyler S. Sprague
10 The Concrete Facades of Paul Rudolph’s Christian Science Building, 1965-1986
Scott Murray
11 Bill Hajjar’s Air-Wall: A Mid-Twentieth Century Four-Sided Double Skin Facade
Ute Poerschke and Mahyar Hadighi
12 Defining the Double-Skin Facade in the Post-war Era
Mary Ben Bonham
13 Enclosure as Ecological Apparatus: Biosphere 2’s Far-From-Equilibrium "Human Experiment"
Meredith Sattler
Index
Biography
Clifton Fordham is a registered architect and Assistant Professor at Temple University, where he teaches building design and building technology. His current focus is buillding enclosures with an emphasis on how their design relates to the sun. He is a graduate of the Yale School of Architecture and Howard University.
Constructing Building Enclosures: History, Technology and Poetics in the Postwar Era provides a much-needed reexamination of technology within the history of modern architecture. By prioritizing the symbolic role of architectural detailing, Fordham's well-edited collection of essays demonstrates the promise of a hermeneutical approach to construction history. Architects, historians, and engineers will find the book a valuable resource for discovering the poetics underlying our technologically mediated world.
-Jason Robert Crow, Architectural Historian and Coordinator of the PhD program in the Department of Architecture and Planning at Monash University in Melbourne, Australia.
