1st Edition
Consumerism on TV Popular Media from the 1950s to the Present
Acknowledgements
Preface by Alison Hulme
1. Blurring Fiction with Reality: American Television and
Consumerism in the 1950s
Susan Nacey
2. From ‘Make do and Mend’ to ‘Your Country Needs You to
Spend’: Constructing the Consumer in Late-Modernity
Alison Hulme
3. Birds of a Feather Shop Together: Conspicuous Consumption
and the Imaging of the 1980’s Essex Girl
Rachel Rye
4. Absolutely Ethical?: Irony, Subversion and Prescience in
Absolutely Fabulous
Susie Khamis
5. The ‘Good Life’ on the Small Screen: Ethical Consumption,
Food Television and Green Makeovers
Tania Lewis
6. Consuming the Lesbian Body: Post-Feminist Heteroflexible
Subjectivities in Sex and the City and The L Word
Ella Fegitz
7. Effeminacy and Expertise, Excess and Equality: Gay Best
Friends as Consumers and Commodities in Contemporary
Television
Susie Khamis and Anthony Lambert
8. ‘A Thousand Diamonds’: Gypsies, Romanies and Travellers and
‘Transgressive Consumerism’ in Reality Television
Emma Bell
9. Shopping for Identity: Post-Feminist Flâneuses in Sex and the City
and In the Cut
Lisa French
Index
Biography
Alison Hulme lectures in the Department of Geography at Royal Holloway, University of London. She is also a regular guest lecturer in Chinese Politics and Development at Goldsmiths College, University of London and University College Dublin. She was the 2014 Ron Lister fellow at the University of Otago, New Zealand and is the author of On the Commodity Trail: The Journey of a Bargain Store Product from East to West.
’This is an innovative collection, based on original research and drawing on different countries and different times, that maps the social meaning of consumerism. It goes beyond the "false consciousness vs. authentic self-expression" debate to say new things about a central feature of contemporary society.' James Curran, Goldsmiths, University of London, UK ’Surveying the field from Essex girls to haute couture fashionistas, and from post-war austerity to postmodern extravagance, this collection opens up an impressive range of perceptive debates on how popular television genres (comedies, dramas, lifestyle shows and beyond) have represented the attractions, contradictions, pleasures and pitfalls of consumer society. This is a volume full of astute insights, thoughtful perspectives and constructive provocations.’ Andy Medhurst, University of Sussex, UK
