1st Edition
Contemporary Approaches to Commemorative Public Art Monumental Developments
Introduction
BRENDA SCHMAHMANN
PART I Contemporary Mnemonic Strategies
1. Of Long and Severed Hands: Sammy Baloji’s Lukasa for Antwerp
ELAINE ERICKSEN SULLIVAN
2. Commemorating Crises in Public Memorials by Antonio Martorell and Scherezade Garcia
MARISA LERER
3. Facilitating and Practising Democratic Citizenship in Contemporary Monument Making: Two Examples from Vienna
TANJA SCHULT
4. Richard Serra and the Fabricated Post-Industrial Landscape
CHRISTIAN BERGER
PART II Rethinking Portraiture
5. On the Plinth/Off the Plinth: Re-imagining the Figurative Monument
TIM COLE
6. Redefining Portraiture in Commemorative Public Art: Four Portrayals of Nelson Mandela
BRENDA SCHMAHMANN
PART III The Temporary versus the Permanent
7. Do Not Make Failure Go Away! "Permanent Temporariness" as a Decolonial Strategy
ANALAYS ÁlVAREZ HERNẤNDEZ
8. Temporary Commemoration and Permanent Commemoration in Berlin
CHRISTOPHER S. WILSON AND GUL KAҪMAZ ERK
PART IV Creative Engagements with Historical Statues
9. The Ephemeral as a Strategy of Intervention: Reframing the Columbus Monument in Madrid
JOHANNA SPANKE
10. Two Feminist Performances at and against the Statue of John Bright, Rochdale, England
ALEXANDRA KOKOLI
11. Under Construction: Thomas Lawson’s A Portrait of New York (1989-1993) as a Monument about Monuments
CLARA J. LAUFFER
12. Enlivened Memory, Post-Monumental Form: Contemporary Artistic Interventions into Commemorative Public Art in Post-Socialist Europe
SEBASTIAN MȔHL
PART V Public Art and Regime Change
13. Maiming Monuments: Iconoclasm in Visual Culture after Yugoslavia
STAFFAN LÖFVING
14. “Applause for the past”?: Danie De Jager’s sculpture Applause (1981) and the Recontextualization of Public Art in Pretoria
MELISSA GERBER
Biography
Brenda Schmahmann is a Professor and the SARChI Chair in South African Art and Visual Culture at the University of Johannesburg, South Africa.






