1st Edition
Contemporary Art in Bosnia-Herzegovina Crisis, Rupture and Discontinuity
1. Introduction
Jon Blackwood and Irfan Hošić
2. Sarajevo art shows during the second half of the 1980s
Ješa Denegri
3. Saved by the Bell: Neo-Avant-Garde Strategies and Use of Mass Media in the Practice of Group ZVONO
Adna Muslija
4. Contemporary Art in Bosnia and Herzegovina within the Common Yugoslav Art Space
Amila Pužić
5. Urban (Trans)formation: Crisis, Rupture and the Response of Art
Asja Mandić
6. Utopian State-Building in Artistic Practice during the siege of Sarajevo
Ewa Anna Kumelowski
7. Interview with Ambrosia Group
Jonathan Blackwood
8. Performative Acts of Memory in the Bosnian Diaspora: Displacement and the Politics of Remembering
Claudia Zini
9. BiH Art in the Age of Triumphalism: Memorialisation in the work of Aida Šehović and Mladen Miljanović
Uroš Čvoro
10. Bosnian Forensic Contemporaneity and Visual Arts
Adla Isanović
11. STATE OF ART : volatile geographies of war and peace
Jelena Petrović
12. The Crisis in Culture and Civic Resistance in Bosnia-Herzegovina
Irfan Hošić
13. Problematics in Contemporary Art from Bosnia-Herzegovina since 2010
Jonathan Blackwood
14. Art of the dispossessed: not necessarily spectacular but necessary for the continuation of survival
Hana Ćurak
15. Exploring the Past and Charting the Future: A Study of Bosnia and Herzegovina’s Emerging Artists
Envera Moro
16. Interview with Tijana Mišković
Irfan Hošić
Biography
Jonathan Blackwood is Associate Professor of Contemporary Art at Gray’s School of Art, Robert Gordon University, Aberdeen, Scotland. He is the author of Critical Art in Contemporary Macedonia.
Irfan Hošić teaches Art History and Modern Art and Design at the Textile Department at the University of Bihać. His most recent book is Image of Crisis. Cultural and Artistic Circumstances in Bosnia and Herzegovina (1990-2020).






