1st Edition

Corsets and Crinolines

By Norah Waugh, Judith Dolan Copyright 2018
206 Pages 47 B/W Illustrations
by Routledge

206 Pages 47 B/W Illustrations
by Routledge

206 Pages 47 B/W Illustrations
by Routledge

In this classic book, Norah Waugh explores the changing shapes of women’s dress from the 1500s to the 1920s. Simple laced bodices became corsets of cane, whalebone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles.  Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape... Read more

Table of Contents

Chapter I. Beginning of the Sixteenth Century to 1670

1. The Whaleboned Body

2. The Farthingale

3. References to Whaleboned Bodies and Farthingales from Contemporary Sources

Chapter II. 1670 to the End of the Eighteenth Century

1. The Stays

2. The Hoop Petticoats

3. References to Stays and Hoop Petticoats from Contemporary Sources

Chapter III. Beginning of the Nineteenth Century to 1925

1. The Corset

2. The Crinoline and the Bustle

3. The Corset—from Contemporary Magazines

4. The Crinoline and the Bustle—from Contemporary Magazines

5. References to Corsets, Crinolies and Bustles from Contemporary Sources 

Appendix I: The Construction of Corsets

Appendix II: The Construction of Farthingales, Hoop Petticoats, etc.

Appendix III: Supports for Corsets, Crinolines, etc.

Appendix IV: Whalebone

Glossary

Bibliography

Selected Further Reading

Selected Museums with Costume Collections

Index

Biography

Norah Waugh taught courses on historical costume at the Central School of Art and Design in London, as well as being head of the costume department at Michel Saint Denis' London Theatre Studio.

Judith Dolan is a Distinguished Professor of Design at the University of California San Diego. Her costume designs for Harold Prince’s production of Candide won a Tony Award in 1997.