Introduction: Philosophising about Creativity Berys Gaut and Matthew Kieran
Part 1: Creativity as a Virtue
1. Creativity, Value and Intellectual Virtue Robert Audi
2. Intellectual Creativity Jason Baehr
3. Creativity and Knowledge Katherine Hawley
4. Creativity, Vanity and Narcissism Matthew Kieran
Part 2: Creativity and Value
5. Creativity Without Value Alison Hills and Alexander Bird
6. Explicating 'Creativity' Paisley Livingston
7. The Value of Creativity Berys Gaut
8. The Active and Passive Life of Creativity: An Essay in a Platonic Key Charles Taliaferro and Meredith Varie
9. Artistic Creativity and Suffering Jennifer Hawkins
Part 3: Creativity and Agency
10. Creativity and Biology Margaret Boden
11. Attributing Creativity Elliot Paul and Dustin Stokes
Part 4: Explaining Creativity
12. Explaining Creativity Maria Kronfeldner
13. Talking about More than Heads: The Embodied, Embedded and Extended Creative Mind Michael Wheeler
14. The Social Conditions for Sustainable Technological Innovation Stephen Davies
Part 5: Creativity in Philosophy and Mathematics
15. Conceptual Creativity in Philosophy and Logic Michael Beaney
16. Creating Heuristics for Philosophical Creativity Alan Hájek
17. The Art of Doing Mathematics Christian Wenzel
Part 6: Creativity in Art, Morality and Politics
18. Creativity as an Artistic Merit James Grant
19. Moral Imaginativeness, Moral Creativity and Possible Futures Tim Mulgan
20. Political Creativity: A Skeptical View Matthew Noah Smith.
Index
Biography
Berys Gaut is Professor of Philosophy at the University of St Andrews, UK.
Matthew Kieran is Professor of Philosophy and the Arts at the University of Leeds, UK.
'This is a fascinating volume by an exceptionally distinguished group of philosophers. Taken as a whole it makes fresh and exciting connections between topics in philosophy that are rarely brought into contact, and shows how rewarding a wide-ranging exploration of a single concept can be.'
John Hyman, University of Oxford, UK'Gaut and Kieran have assembled an impressively eclectic volume that examines creativity in many domains. Philosophy of Art is well represented but it is not the sole, nor even primary, focus. The collection makes a potent argument that the tendency to associate creativity with the arts hampers our understanding of related phenomena in other areas of human action, and in challenging our received understanding of the topic, the chapters in Creativity and Philosophy will be cited and discussed for many years to come.'
Theodore Gracyk, co-editor of The Routledge Companion to Philosophy and Music
