1st Edition

Critical Music Historiography: Probing Canons, Ideologies and Institutions

By Vesa Kurkela, Markus Mantere Copyright 2015
332 Pages
by Routledge

332 Pages
by Routledge

332 Pages
by Routledge

During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ’postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has... Read more

Critical Music Historiography: Probing Canons, Ideologies and Institutions

Biography

Markus Mantere graduated with a PhD in Music from Brown University, USA. His dissertation scrutinized the music philosophy of the late Canadian pianist Glenn Gould, as well as the impact that Gould’s exceptional musicianship has had on later generations of musicians in Canada and the Western musical world. More recently, Mantere’s research on the scholarly criticism of music has focused on the intellectual and social history of musicology in Finland. He has also worked as the editor of Musiikki, the only refereed musicological journal in Finland, since 2007. Vesa Kurkela is Professor of Music History at the Sibelius Academy, Helsinki, Finland. He has written extensively on various topics of music history in Finland and elsewhere: popular music, music publishing, nationalism and transnationalism, folk music and ideology, concert institution and orchestral repertoires, radio music, and recording industry.