Investigating art practitioners’ responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means.
It examines how intellectual and material contexts have affected art interventions and how visual arts can open up critical spaces to explore violence without reinforcement or recuperation. Its premises are that art is not only able to contest prevailing norms about violence but that contemporary artists are consciously engaging with publics through their practice in order to do so. Contributors respond to three questions: how can political violence be understood or interpreted through art? How are publics understood or identified? How are art interventions designed to shift, challenge or respond to public perceptions of political violence and/or are constrained by them? They discuss violence in the everyday and at state level: the Watts’ Rebellion and Occupy, repression in Russia, domination in Hong Kong, the violence of migration and the unfolding art activist logic of the sigma portfolio.
Asking how public debates can be shaped through the visual and performing arts and setting taboos about violence to one side, the volume provides an innovative approach to a perennial issue of interest to scholars of international politics, art and cultural studies.
Introduction: Art, culture and violence
Ruth Kinna and Gillian Whiteley
Chapter 1: From Watts to Wall Street: A situationist analysis of political violence
Chapter 2: Protest art and public space: Oleg Kulik and the strategies of Moscow Actionism
Chapter 3: Project sigma: The temporality of activism
Vlad Morariu and Jaakko Karhunen
Chapter 4: Challenging state-led political violence with art-activism: Focus on borders
Chapter 5: Power v. violence: how can contemporary art create a ‘space of appearance’ and generate social change?
The Series provides a forum for innovative and interdisciplinary work that engages with alternative critical, post-structural, feminist, postcolonial, psychoanalytic and cultural approaches to international relations and global politics. In our first 5 years we have published 60 volumes.
We aim to advance understanding of the key areas in which scholars working within broad critical post-structural traditions have chosen to make their interventions, and to present innovative analyses of important topics. Titles in the series engage with critical thinkers in philosophy, sociology, politics and other disciplines and provide situated historical, empirical and textual studies in international politics.
We are very happy to discuss your ideas at any stage of the project: just contact us for advice or proposal guidelines. Proposals should be submitted directly to the Series Editors:
‘As Michel Foucault has famously stated, "knowledge is not made for understanding; it is made for cutting" In this spirit The Edkins - Vaughan-Williams Interventions series solicits cutting edge, critical works that challenge mainstream understandings in international relations. It is the best place to contribute post disciplinary works that think rather than merely recognize and affirm the world recycled in IR's traditional geopolitical imaginary.’
Michael J. Shapiro, University of Hawai'i at Manoa, USA