1st Edition
Dak'Art The Biennale of Dakar and the Making of Contemporary African Art
Introduction
Ugochukwu-Smooth Nzewi and Thomas Fillitz
Part 1: Historical Perspectives
1. The Foundation and History of the Biennale of Dakar
Ugochukwu-Smooth Nzewi
2. A Politico-Economic History of Modern and Contemporary Art in Senegal: From Négritude Current to the Logics of the Open Society
Massamba Mbaye
3. The 'Distancing Children' from Senghor's Openness Take a Stance
Viyé Diba
Part 2: Dak’Art—The Biennale of Contemporary African Art
4. Selection Committees, Selection Processes and Application Procedures
Ugochukwu-Smooth C. Nzewi and Thomas Fillitz
5. Encounters and Exchanges: An Intellectual History of the Biennale of Dakar
El Hadji Malick NDiaye
6. Dak’Art and the Production of its Public
Thomas Fillitz
7. The Biennale of Dakar and the State of Senegal
Sylvain Sankalé
8. Reimagining the Biennal of Dakar
Koyo Kouoh and Eva Barois De Caevel
Part 3: Contemporary African Art at Dak’Art
10. The Making of a Canon: Historicizing Contemporary African Art at Dak’Art
Ugochukwu-Smooth Nzewi
11. All the City is an Exhibition: The Dak’Art-Off in the Biennale and in Dakar’s Art World City
Joanna Grabski
12. Dak’Art’s Ecosystem: In and Out of Senegal
Iolanda Pensa
13. EPILOGUE: Global Biennial Discourses: A Critical View from Dak’Art
Thomas Fillitz and Ugochukwu-Smooth Nzewi
Biography
Ugochukwu-Smooth Nzewi completed his PhD at Emory University, USA. He is a Visual Artist, Art Historian and Curator. He works at the Cleveland Museum of Art, USA.Thomas Fillitz is Professor of Cultural and Social Anthropology at the University of Vienna, Austria. He is the editor of An Anthropology of Contemporary Art (2017).
