List of illustrations
Foreword
Claire Warden
Acknowledgements
PART 1
- Introduction: Dance, Modernism, and Modernity
- Dance and Modernism: A Historiographical Consideration
- Dance and Modernism: Natural Dancing and Modernity
- Dance and Modernism: Transnational Currents
- Wassily Kandinsky, Dance, and Interdisciplinary Modernism 1908-1914
- Breaking into the Male Modernist World: Akarova and Margaret Morris
- Modernist Dance, War, and Precarious Life: Isadora Duncan and Mary Wigman
- The New Ballet: Kurt Jooss, Ballet and Modernity
- The New Ballet: Antony Tudor’s Jardin aux Lilas and the Loss of Gesture
- Breaking Boundaries: Hanya Holm from Trend to My Fair Lady
- Modernity, Ritual and Diasporic Culture: Katherine Dunham and Berto Pasuka
Ramsay Burt and Michael Huxley
Michael Huxley and Ramsay Burt
Ramsay Burt and Michael Huxley
Ramsay Burt and Michael Huxley
PART 2
Michael Huxley
Ramsay Burt
Ramsay Burt
Michael Huxley
Ramsay Burt
Michael Huxley
Ramsay Burt
Afterword
Ramsay Burt and Michael Huxley
Index
Biography
Ramsay Burt is Professor of Dance History at De Montfort University, UK. He is director of the university’s Dance, Drama and Performance Studies Research Institute. His publications include The Male Dancer (1995), Alien Bodies (1997), Judson Dance Theater (2006), and Ungoverning Dance (2016).
Michael Huxley is Emeritus Reader in Dance and former director of the Centre for Interdisciplinary Research in Dance at De Montfort University, UK. His most recent book is The Dancer’s World 1920–1945: Modern Dancers and Their Practices Reconsidered (2015), and he has been published in dance periodicals such as Dance Chronicle, Journal of Dance and Somatic Practices, and Discourses in Dance.






