1st Edition

Dante’s Visions Crossing Sights on Natural Philosophy, Theory of Vision, and Medicine in the Divine Comedy and Beyond

Edited By Cecilia Panti, Marco Piccolino Copyright 2025
220 Pages 5 B/W Illustrations
by Routledge

220 Pages 5 B/W Illustrations
by Routledge

220 Pages 5 B/W Illustrations
by Routledge

Dante’s Visions: Crossing Sights on Natural Philosophy, Theory of Vision, and Medicine in the Divine Comedy and Beyond offers a fascinating insight into Dante’s engagement with the science of his time, particularly with visual perception and neurological disorders. The relationship between the soul and the body and the bond between human beings and their natural environment... Read more

Introduction

Cecilia Panti and Marco Piccolino

 

Chapter 1

Dante and Natural Philosophy

Simon A. Gilson

 

Chapter 2

Visual Motion Illusions in the Classical Era and in the Middle Ages

Nicholas J. Wade

 

Chapter 3

Vision as a Tangible and Dynamic Tool in the Divine Comedy. An Overview

Marco Piccolino

 

Chapter 4

Moving Clouds and Bending Towers: The Illusive Motion of the Garisenda in Inferno XXXI

Marco Piccolino

 

Chapter 5

Where Do Visions That Do Not Come from Sight Come from?

Mirko Tavoni

 

Chapter 6

Seeing the Light: Dante and the Perspectivist Theory of Light as Proper Visible

Cecilia Panti

 

Chapter 7

Visual Perception in Dante’s Commedia According to the Early Commentaries (13201400)

Francesca Galli

 

Chapter 8

A Medical Commentary on the signa amoris in the Vita Nuova

Francesco Brigo

 

Chapter 9

Dante, Healthcare and Diseases

Michele A. Riva and Lorenzo Lorusso

 

Chapter 10

Dante Neurologist and Neuroanatomist: Evidence from the Divine Comedy

Donatella Lippi, Raffaella Bianucci, Elena Varotto, Francesco Arba, and Francesco Maria Galassi

Biography

Cecilia Panti is Professor of History of medieval philosophy at the University of Rome Tor Vergata (Italy). Her research interests in the fields of philosophy, optics, theory of music, and the quadrivium are featured in numerous academic journals and collective volumes. Her publications include editions of Robert Grosseteste’s cosmological treatises (2001) and his De luce (2011); Johannes Tinctoris’ Dictionary of Music (2004); a volume on acoustics in Late Antiquity and the Middle Ages (2008); and the special issues of the journals Micrologus: Nature, Sciences and Medieval Societies (‘Latin and Arabic Theory of Perspective’, Volume 29, 2021) and Revista Española de Filosofía Medieval (‘Robert Grosseteste and Aristotelianism’, Volume 30/1, 2023).

 

Marco Piccolino has taught general physiology and the history of science at the University of Ferrara (Italy), where he is currently a member of the Centre of Neuroscience. He is a neurophysiologist who has conducted significant research in the physiology of the retina, publishing his results in prestigious international journals, including Nature and Science. He has written several volumes on the history of electrophysiology and sensory physiology, notably The Shocking History of Electric Fishes: From Ancient Epochs to the Birth of Modern Neurophysiology (2011) with Stanley Finger; Shocking Frogs: Galvani, Volta, and the Electric Origins of Neuroscience (2013) with Marco Bresadola; and Galileo's Visions: Piercing the Spheres of the Heavens by Eye and Mind (2013), with Nicholas J. Wade.