1st Edition

Decadent Aesthetics and the Acrobat in French Fin de siècle

By Jennifer Forrest Copyright 2020
228 Pages
by Routledge

226 Pages
by Routledge

226 Pages
by Routledge

In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme’s 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seeks in vain a... Read more

Introduction

Chapter One: 1857, Part I: Plays with Sad Clowns

Chapter Two: 1857, Part II: Making Clown Faces

Chapter Three: 1879, Part I: Suspending Identity with the Hanlon-Lees

Chapter Four: 1879, Part II: Time and Space and the Hanlon-Lees Effect

Chapter Five: The Paradox of the Lady Acrobat

Chapter Six: The Poetics of Pantomime and Circus, Part I: Jules Laforgue

Chapter Seven: The Poetics of Pantomime and Circus, Part II: Octave Mirbeau

Epilogue

Biography

Jennifer Forrest is Professor of French at Texas State University. She is the editor of The Legend Returns and Dies Harder Another Day: Essays on Film Series (McFarland, 2008) and co-editor of Dead Ringers: The Remake in Theory and Practice (SUNY, 2002).