1st Edition
Depression Glass Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams
By Monique Vescia
Copyright 2006
174 Pages
18 B/W Illustrations
by
Routledge
176 Pages
18 B/W Illustrations
by
Routledge
174 Pages
18 B/W Illustrations
by
Routledge
Also available as eBook on:
This interdisciplinary study examines the interrelations between the documentary poetics of "Objectivism" in the United States during the 1930s. Focusing on three volumes published by the Objectivist Press in 1934--Charles Reznikoff's Testimony , George Oppen's Discrete Series , and William Carlos William's Collected Poems, 1921-1931 --the book examines both photographic and linguistic... Read more
Acknowledgments Preface List of Figures Introduction Chapter 1: The Poem in a Climate of Fact Chapter 2: Documentary Matters: Charles Reznikoff's 1934 Testimony Chapter 3: The Lyrical Apertures of George Oppen's Discrete Series Chapter 4: Machines for Seeing: William Carlos Williams's Collected Poems 1921-1931 Bibliography Index
Biography
Monique Claire Vescia
