List of Figures
List of Tables
Contributor Bios
Volume Introduction
Chapter 1: Designing Interactive Musical Interfaces by Dan Overholt
Chapter 2: Collective Controllerism: a Non-musician’s Perspective of Interactive Dance as Controllerist Practice by Manoli Moriaty
Chapter 3: Compute and Resonate: Creating Electronic Music of the Acid Genre for Presentation within a Club Environment Utilizing Accessible Artificial Intelligence and Computer-based Generative Tools by Dylan Davis
Chapter 4: Sonic Poetics of the Tidal Flats by Prophecy Sun, Freya Zinovieff, Kristin Carlson and Reese Muntean
Chapter 5: Designing Sound Installations in Public Spaces: A Collaborative Research Creation Approach by Catherine Guastavino, Valérian Fraisse, Simone D’Ambrosio, Etienne Legast and Maryse Lavoie
Chapter 6: Embodied Listening within Geolocative Sonic Art by Jimmy Eadie
Chapter 7: Sound Mixed Reality Prompts for People with Dementia: a Familiar and Meaningful Experience by Shital Desai, Joel Ong, Deborah Fels and Arlene Astell
Chapter 8: Leveraging Motion and Conceptual Frameworks of Sound as a Novel Means of Sound Design in Extended Reality by Tom A. Garner.
Index
Biography
Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer mediated communications, audiovisual production, new media art and creative writing. His research develops new multimodal display technologies and forms, exploring novel form factors across different application contexts including gaming, immersive exhibitions and simulations.
