1st Edition

Development of the Global Film Industry Industrial Competition and Cooperation in the Context of Globalization

Edited By Qiao Li, Yanqiu Guan, Hong Lu Copyright 2020
    270 Pages 68 B/W Illustrations
    by Routledge

    270 Pages 68 B/W Illustrations
    by Routledge

    The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens.

    Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors.

    This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world.

    1. The Development of the Global Film Industry between 2017 and 2018. 2. The Global Film Industry Index Research Report, 2019. 3. The Development of North American Film Industry in 2018. 4. The Development of European Film Industry between 2017 and 2018. 5. The Development of Latin American Film Industry between 2017 and 2018. 6. The Development of South Korean Film Industry in 2018. 7. Opportunities and Challenges for British Film Industry. 8. The Development of Chinese Film Industry in 2018. 9. The Development of Chinese Film Production Industry in 2018. 10. The Development of Chinese Cinema Circuits and Chinese Film Market in 2018. 11. The Operational Model of Cinematic Adaptation from Internet Content in China. 12. The Development of the Chinese Animation Industry in 2017. 13. A Case Study of Crazy Rich Asians: the Evolution and Development of Asian Hollywood Films. 14. Priest and Director Alex Kendrick: the "Manual Workshop" and Film Industrialization 15. An Analysis of the Box Office Success of Wolf Warrior 2 (2017). 16. Chinese Film IP Resources Development Strategy 17. Impact of the Film Industry Promotion Law on the Significant Growth of Chinese Film Industry. 18. Copyright Issues of Chinese Films Adapted from the Internet Literature 19. Developing the Integration of the Chinese Internet and the Film Industry 20. The UNESCO World "City of Film": A New Engine to Boost Qingdao's Urban Development


    Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon-Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese-language cinema. He is a PhD supervisor, film festival jury member, and enthusiast of digital filmmaking with award-winning short films. He is the editor of Migration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l'Homme du Pacifique, 2019).

    Yanqiu Guan is Associate Professor at Beijing Film Academy the College for Modern Creative Media, Qingdao, China. She has published more than 20 research articles and papers on film producing and entertainment law, including Research on Film Industry Promotion Law (Blue Book of Film, 2018).

    Hong Lu is a lecturer at the Art and Communication School of Beijing Technology and Business University, Beijing, China. Her research interests are in animation creation and the animation market. She has published more than a dozen papers on Chinese TV animation and the Chinese animation film industry, including Report on the Development of Chinese Animation Film Industry (Blue Book of Film, 2019).