Different Engines Media Technologies From Latin America
Different Engines investigates the emergence of technologies in Latin America to create images, sounds, video games, and physical interactions. The book contributes to the construction of a historiographical and theoretical framework for understanding the work of creators who have been geographically and historically marginalized through the study of five exemplary and yet relatively unknown artifacts built by engineers, scientists, artists, and innovators. It offers a broad and detailed view of the complex and sometimes unlikely conditions under which technological innovation is possible and of the problematic logics under which these innovations may come to be devalued as historically irrelevant. Through its focus on media technologies, the book presents the interactions between technological and artistic creativity, working towards a wider understanding of the shifts in both fields that have shaped current perceptions, practices, and design principles while bringing into view the personal, social, and geopolitical singularities embodied by particular devices. It will be an engaging and insightful read for scholars, researchers, and students across a wide range of disciplines, such as media studies, art and design, architecture, cultural history, and the digital humanities.
Part I: Backtracking
Chapter 1: Bioacoustics and Photography, Brazil, 1832
Chapter 2: The Color Wheel of Television History, Mexico, 1939
Chapter 3: COMDASUAR: A Very Personal Computer, Chile, 1978
Part Two: Sidetracking
Chapter 4: Lua: The Scripting Side of the Moon, Brazil, 1993
Chapter 5: Wiring: Tangible Interaction, Intangible History, Italy, Colombia, 2003
With a sovereign gesture, Andrés Burbano puts Latin America and the Global South on the agenda of media archaeological research, at the same time opening up a perspective for them as exciting and indispensable agents in the deep-time interplay between the sciences, technology, and the arts. In his case studies, past, presences, and possible futures meet to form fascinating surprise generators.
– Siegfried Zielinski, Professor Emeritus of Media Theory, Universität der Künste, Berlin, and author of Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means
With five case studies, Burbano introduces a world of Latin American innovations that could potentially alter existing histories of media. Unifying historical research with experimental design, this book is required reading for scholars and students of art, media, and design practices and histories.
– María Fernández, Associate Professor of Art History, Cornell University, Ithaca, and author of Cosmopolitanism in Mexican Visual Culture
Different Engines offers fascinating insights into the history of Latin American media technology. Beyond this, Burbano proposes a promising new research approach that not only brings together ideas from STS, art history, media archaeology, and postcolonial studies, but introduces experimental interaction with historical media as an indispensable epistemological method.
– Margit Rosen, Head of Collections, Archives & Research at the Zentrum für Kunst und Medien, Karlsruhe (ZKM), and editor of A Little-Known Story About a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961–1973
Different Engines: Media Technologies from Latin America constitutes the first genuine historical ontology of media artifacts from the much-ignored experience of the Global South. Whether focusing on early experimentations with analog sound and image or examining contemporary involvement with computerized media, what the author finds in these revealing Latin American cases is a lot of anticipatory, creative, and alternative technological paths that defy the conventional accounts and criteria of successful innovation. With Different Engines, Burbano emerges as the premiere decolonial and pluriversal media archaeologist in the world at present. His "experimental reconstitutions" of past experiences should become an obligatory passage point for those wishing to engage in similar reconstructions with other media or in other parts of the South. This eminently readable book will be of great value to those interested in science and technology studies, media studies, design, and cultural, decolonial and Latin American Studies.
– Arturo Escobar, Professor Emeritus of Anthropology, University of North Carolina, Chapel Hill, and author of Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds