1st Edition

Digital Compositing with Nuke

By Lee Lanier Copyright 2013
360 Pages
by Routledge

360 Pages
by Routledge

360 Pages
by Routledge

Whether you're a novice compositor or a well-versed one moving over from After Effects or Shake, this is THE book for you to learn the ins and outs of the powerful compositing software, Nuke. In addition to covering all of the menus, buttons, and other software-specific topics, it also offers critical lessons in compositing theory, including working in 2.5D and stereoscopic 3D. Through a... Read more
Introduction, Chapter 1: Nuke Interface, Chapter 2: Transforming and Keyframing, Chapter 3: Bit Depths, Color Spaces, and Color Grading, Chapter 4: Alpha Mattes, Merging, and Rotoscoping, Chapter 5: Keying, Chapter 6: Manipulating Channels and Matching Artifacts, Chapter 7: Time Warping and Image Distortion, Chapter 8: Motion Tracking, Chapter 9: Working with 2.5D, 3D, and Stereoscopic 3D, Chapter 10: Optimization, Scripting, and New Techniques, Appendices, Index

Biography

visual effects/animation veteran of over 20 years. Formerly a senior animator at PDI/Dreamworks for Antz and the original Shrek, his other credits include Ace Ventura, James and the Giant Peach, and Escape from LA. Over the last decade, he has taught at several Academy of Art Universities as well as the Gnomon School of Visual Effects.

"There really is Nuke and nothing else. Other products out there are dying or don't have a future. Nuke is really moving forward in a changing industry."--Lindsay Adams, lead compositor, Animal Logic, Sydney, Australia