1st Edition
Digital Fabrication in Interior Design Body, Object, Enclosure
Introduction
Jonathon Anderson and Lois Weinthal
Part I: Body
1. Iris van Herpen: The Art of Fashioning the Future
Sue-an van der Zijpp
2. Great Mistakes
Noa Raviv
3. Fashion and Technology: The Intangible as a Working Material
Ying Gao
4. Random Bodies: PRAXIS: Random International
Jean Wainwright
Part II: Objectâ–¡
5. An Architectural Romance between Subject and Object
Brandon Clifford
6. Materiality and Objecthood: Reflections on the Work of Geoffrey Mann
Phillip Denny
7. Soft Objects: PRAXIS: Assa Studio
Evan Pavka
8. The Rise of the Generalist: Imaginative Architectural Practices in the Age of Digital Technology
Elena Manferdini
9. The Role of the Hand in Digital Design
Karl Daubmann
10. Emerging Objects
Virginia San Fratello
Part III: Enclosure
11. Emergent Enclosures: Granular Architectures
Karola Dierichs and Achim Menges
12. Three Ensembles
Ashley Bigham and Erik Herrmann
13. Occupying Categorical Limits: Material, Attitude and Assembly: PRAXIS: FreelandBuck
Viola Ago
14. Conical Hinges: Shaping Ambiguous Enclosures
Sean Canty
15. The Figure in Translation
Nader Tehrani
Endnote – Trajectory: Cradling Bodies: Trajectories of Minds, Objects and Enclosures
Dana Cupkova
Biography
Jonathon Anderson is the Associate Chair and an Associate Professor of Interior Design at Ryerson University in Toronto, Canada. Additionally, Jonathon serves as the Director of The Creative School Design + Technology Lab. He holds a Master of Fine Arts in Furniture Design from Savannah College of Art & Design and a Bachelor of Science in Architecture from Southern Illinois University. His work explores how industrial manufacturing, robotics and CNC technologies influence the design and making processes. As a result, the work is characterized by innovative and explorative methods that result in interconnected design, fine art and technology solutions. From this non-traditional process emerges a provocative, complex design language that visually communicates at varied scales and emphasizes corporeal and phenomenological experiences. To Jonathon, making is not only a practice but a form of critical thinking.
Lois Weinthal is Chair of Interior Design at The Creative School and Professor at Ryerson University in Toronto, Canada. Her research and practice investigate the relationship between architecture, interiors, clothing and objects resulting in works that take on an experimental nature. Her teaching explores these topics where theoretical discussions in seminars are put into practice in the design studio. She is the editor of Toward a New Interior: An Anthology of Interior Design Theory, co-editor of After Taste: Expanded Practice in Interior Design, and co-editor of The Handbook of Interior Architecture and Design. Lois has received grants from the Graham Foundation, Fulbright, SSHRC and DAAD, and has exhibited and lectured nationally and internationally. Previously, she was Director of the Interior Design Program at Parsons The New School for Design and Graduate Advisor for the Master of Interior Design Program at The University of Texas at Austin. Lois studied architecture at Cranbrook Academy of Art and the Rhode Island School of Design. She currently holds the position of Honorary Professor at the Glasgow School of Art.
